Ce contenu est une compilation d'articles de l'encyclopedie libre Wikipedia. Pages: 36. Chapitres: Jeff Mills, Laurent Garnier, Underground Resistance, Juan Atkins, Drexciya, Electro, Carl Craig, Mad Mike, Kevin Saunderson, Axis Records, Metroplex, Submerge Recordings, Transmat, Derrick May, Arpanet, Los Hermanos, James Stinson, NSC Records, Minimal Nation, Gerard Hanson, Inner City, Alan Oldham, Octave One, 7th City, Submerge Distribution, Techno! The New Dance Sound Of Detroit, Robert Hood, James Pennington, Daniel Bell, Red Planet, The Martian, Ghettotech, Pure Sonik Records, Soul City, Members Of The House, Drexciya Storm, 430 West, DeepChord, Anthony Shakir, Motor City Electro Company, Echospace, DJ Rolando, Fabrice Lig, Detroit Electronic Music Festival, The Black Dog, KMS, M-Plant, Kenny Larkin, Somewhere In Detroit, Kirk Degiorgio, Kelli Hand, Claude Young, Vince Watson, Cybotron, Blake Baxter, Dopplereffekt, Gerald Mitchell, Joris Voorn, Eddie Fowlkes, Omar-S, Fragile Records, Gerald Donald, B12, Ken Collier, Keith Tucker, Mike Huckaby, The Aquanauts, Stacey Pullen, Sherard Ingram, Scan 7, Planet E, Pi Gao Movement, Soundshift, Dark Print, DJ Bone, Aux 88, Jay Denham, Deep Space Records, Generator Records, Ultradyne, Direct Beat, Motech, Galaxy 2 Galaxy, Subject Detroit, Hardwax, Aril Brikha, Stephen Hitchell, Midnight Funk Association, Electrofunk Records, Abdul Haqq, The Electrifying Mojo, Rod Modell, Ron Murphy, Mr. De', A Number Of Names, Music Institute, Choice, Dataphysix Engineering. Extrait: Jeff Mills (ne a Detroit en 1963) est un des pionniers de la musique techno et fait partie, aux cotes de Carl Craig, Mad Mike, James Pennington, Robert Hood ou Blake Baxter, de la seconde vague des artistes techno de Detroit. Ne le 18 juin 1963 a Detroit, capitale historique de la techno, Jeff Mills fait partie de la meme generation que les trois artistes reconnus comme les pionniers de la techno de Detroit: Juan Atkins (ne en 1962), Derrick...

デトロイト・テクノの本質的な魅力は、荒廃した工業都市から「未来」を紡ぎ出した逆転の創造性にあります。本書は膨大な記述を通じ、ジェフ・ミルズら開拓者たちが電子音に託した、社会的抑圧への抵抗と孤独な魂の叫びを鮮やかに描き出しています。 特筆すべきは、記録の断片から浮かび上がるアフロ・フューチャリズムという深遠なテーマです。機械的なビートに宿る人間性の鼓動、そして既存の価値観を破壊し再生を試みるその情熱的な足跡は、読者を熱狂的な音の迷宮へ誘います。単なる記録を超え、壮大な音楽叙事詩として私たちの五感を激しく揺さぶる一冊です。