Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Commentary (music and lyrics not included). Pages: 25. Chapters: "Still Life" (American Concert 1981), Brussels Affair (Live 1973), Flashpoint (album), Four Flicks, Get Yer Ya-Ya's Out! The Rolling Stones in Concert, Gimme Shelter (album), Got Live If You Want It! (album), Got Live If You Want It! (EP), Hampton Coliseum (The Rolling Stones album), L.A. Friday, Let's Spend the Night Together (film), Live'r Than You'll Ever Be, Live at the Tokyo Dome, Live Licks, Love You Live, Muddy Waters & The Rolling Stones Live At The Checkerboard Lounge, Chicago 1981, No Security, Shine a Light (The Rolling Stones album), Stripped (The Rolling Stones album), The Rolling Stones: Some Girls Live in Texas '78, The Rolling Stones: Voodoo Lounge Live, The Rolling Stones Rock and Roll Circus (album). Excerpt: 'Get Yer Ya-Ya's Out!' The Rolling Stones in Concert is a live album by The Rolling Stones, released 4 September 1970 on Decca Records in the UK and on London Records in the US. It was recorded in New York and Maryland in November 1969, just before the release of Let It Bleed. It is the first live album to reach number 1 in the UK. Many, including The Rolling Stones, consider this their first official full-length live release, despite the appearance of the US-only Got Live If You Want It! in 1966 as a contractual obligation product. One reason for releasing a live album was to counter the release of the Live'r Than You'll Ever Be bootleg recording of an Oakland performance on the same tour, a recording which was even reviewed in Rolling Stone magazine. Having not toured since April 1967, The Rolling Stones were eager to hit the road by 1969. With their two most recent albums, Beggars Banquet and Through the Past, Darkly (Big Hits Vol. 2) being highly praised, audiences were anticipating their live return. Their 1969 American Tour's trek during...

ローリング・ストーンズがいかにして地上最高のバンドへと昇華されたか。本書はその軌跡を、数々のライブ盤という視点から鮮やかに切り取っています。単なる記録の羅列を超え、時代の熱狂と混沌を真空パックしたかのような解説は、音楽史という名の壮大なドラマを読ませる深みに満ちています。 特筆すべきは、リストにも含まれる「シャイン・ア・ライト」等の映像作品との相互作用です。音源に刻まれた狂騒が、映像による視覚的熱量で補完される際、本書が提供する歴史的背景が物語としての重みを与えます。テキストと映像が交差する瞬間に、彼らの不滅の魂が立ち上がるような多角的な没入体験を味わえるはずです。