Gigi (1944), by Colette, is a short novel set in Paris at the turn of the twentieth century, a society marked by elegance, appearances, and the subtle games of social interest. The story follows the young Gilberte, affectionately called Gigi, who is raised by her grandmother and her aunt. These women come from a family tradition of preparing girls to become refined courtesans, equipped to secure wealth and stability through advantageous relationships. Gigi, however, stands apart because of her spontaneity, frankness, and a certain innocence toward this predetermined path. While she undergoes strict training in manners, dress, and social etiquette, she preserves a lively authenticity that resists the conventions expected of her. Her life changes dramatically when she encounters Gaston Lachaille, a wealthy but disenchanted Parisian heir, who recognizes in Gigi something fresh and different from the polished but predictable women of his social circle. Their relationship develops gradually, blending tenderness with irony and quietly questioning societal norms. Gaston, weary of the superficiality of Parisian high society, is drawn to Gigi's honesty and vitality. She, in turn, begins to reflect on the boundaries between love, social convenience, and personal freedom, challenging the expectations imposed upon her by her family. Though brief, the novel captures the tension between tradition and individual desire, illustrating the struggle of a young woman trying to assert her own voice in a world where her future seems already decided. At the same time, Colette's Paris comes alive with its cafés, salons, and social gatherings, offering a backdrop that mirrors both the sophistication and the hypocrisy of the time. Colette (1873–1954) was one of the most important French writers of the twentieth century. Known for her elegant prose and her sharp psychological portraits of women, she often challenged the conventions of her era by exploring themes of sexuality, independence, and identity. Gigi became one of her most celebrated works, particularly after its adaptations for stage and film, and it remains an incisive portrayal of the tension between personal freedom and social expectation