Schneewittchen (2025) is a feature film by the artist and author Stanley Schtinter. An auditorium only, 35mm presentation of which only one print exists. In this volume, director Stanley Schtinter and producer Gareth Evans consider their co-work on Schneewittchen-discuss the project's implications and associations-and consider the film a catalyst fit to enable a wide-ranging conversation. Evans and Schtinter touch on the water damage done by mainstream culture to our contemporary critical faculty; consider sight and storytelling; imagination and image-making; creativity and light; the luminosity of the dark; and riff on the implications borne by an ownership of the means of production in an age of extinction. A feature-length discussion grounded in their collaboration; their exchange is a commons composed of 18181 words. The Tenement / Caul publication of Snow, Always Snow is curtained by a fleeting portfolio of photographs by Joshua Bonnetta, taken on location during the production of Schneewittchen.