Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 48. Chapters: Fetish model, Fetish fashion, Torsolette, Latex and PVC fetishism, Transvestic fetishism, Skin-tight garment, Corset, Second skin, Catsuits and bodysuits in popular media, Thigh-high boots, Tightlacing, Clothing fetish, Collar, Uniform fetishism, Pinafore eroticism, Latex clothing, Sissy, Shoe fetishism, Catholic school uniform, Sauna suit, Hobble skirt, Bondage hood, Ballet boot, See-through clothing, Kinky boots, Fishnet, Babydoll, French maid, Wolf collar, Neck corset, Zentai, Leather skirt, Clubwear, Darlexx, Body belt, Rubberdoll, Chap boots. Excerpt: Catsuits are a recurring costume for fictional characters in various media, as well as for entertainers, especially for use in musical performances. They are sometimes referred to as "bodysuits," especially in reference to a full-body suit worn by a man (although bodysuit usually refers to a legless garment); catsuit is typically used only in reference to women. The catsuit has been identified as a film-makers costume of choice for stealth. In films like Irma Vep, Les Vampires and Heroic Trio, crime and catsuits are featured together, as well as its major original use in Alfred Hitchcock's To Catch a Thief. A trend of bodysuits was observed by film reviewer Alan Farrell in his book High Cheekbones, Pouty Lips, Tight Jeans, and a number or occurrences of the garb in films were mentioned - Charlize Theron in Aeon Flux, Mila Jovovich in Resident Evil, Jennifer Garner in Elektra, Halle Berry in Catwoman, Carrie-Anne Moss in The Matrix, Angelina Jolie in Lara Croft: Tomb Raider, Kate Beckinsdale in Van Helsing, and Underworld, and Raquel Welch in Fantastic Voyage. The trend of leather and vinyl catsuits were identified as an attempt to redefine the gender role of women through films. Theresa L. Geller described the catsuit as a part of the Hollywood tough chic...