For almost 5 years I put on my thinking cap and read everything about sync music. I watched every "free" video and paid a lot of money to be in groups that discussed it. Making music for sync is like rewiring your brain. You know how music on the radio sounds because it moves you every day at home, in the car or just playing in your ear. Ironically, subconsciously, we know how sync music sounds also because it moves us every day when we watch a movie, a tv show, or a commercial. Sync music is vastly different from what is on the radio and that is the challenge. I won't reveal any secret techniques with this book. I just want the next Sync Agent or Music Supervisor to not have to stop what they are doing to explain the differences. This is just for those in need of being spoon-fed on this topic. Hopefully, this book will fill that enormous need...