In this volume, the design practitioners at INI Design Studio talk about their vision for creating unique, sustainable solutions to address the needs of a growing society. Through a comprehensive showcase of 68 Indian and international projects, including a wide variety of commercial, residential, healthcare, and hospitality domains, this book demonstrates the firm's sensibility that guides their design in a world whose dynamics are rapidly changing. Their work showcases their ability to leverage technological advances to harness sustainability solutions as a deliverable practical outcome, often at no additional cost to the client. The firm's interdisciplinary and collaborative practices are revealed in their civic government and transport projects, while their emphasis on architecture as social art informs their work on recreational centres like sports stadiums.
Vikram Bhatt is a Bollywood director, producer and screenwriter.
He is the grandson of Vijay Bhatt, who was one of the pioneer of Indian films and the son of cinematographer Pravin Bhatt. He has more than 21 films to his credit and at present he is the creative head of a conglomerate called ASA productions.
He started his career in 1982, at the young age of 14, with late Director Mukul Anand in Mukul's first film, 'Kanoon Kya Karega'. He worked with Mukul for 6.5 months. His last film with the Late Mukul Anand was one of Indian Cinema's classic, 'Agneepath', on which he was a Chief Assistant.
Post that, he worked with Director Shekhar Kapur for 2.5 years and later with Director Mahesh Bhatt for 2 years, on films like, 'Hum Hain Raahi Pyaar Ke' and 'Junoon'.
He started his career as a Director with a film called 'Jaanam' with Producer Mukesh Bhatt. His first four films did not do too well at the Box Office, till he saw his first success in the film called 'Fareb'. After this, there was no looking back. He had a string of successful films viz. 'Ghulam', 'Kasoor', 'Raaz' and 'Awaara Pagal Deewana'. Post 'Awaara Paagal Deewana', he entered a phase where his films did not do that well except for the odd 'Deewane Hue Paagal' and the semi-biopic, 'Ankahee'.
In 2008, he came back with the success of his horror film, '1920'. 'Shaapit' followed soon after in 2010; completing his successful Horror Trilogy.
In 2010, Bhatt pioneered in the field of stereoscopic 3D for the first time in India and his film Haunted - 3D is the first stereoscopic 3D Hindi film that was released in May 2011.
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