The author's primary object of investigation in this text is not the Caravaggio, but rather the issue of temporality in art. She analyzes the productives relationship between Caravaggio and a number of late-20th century artists who "quote" the baroque master in their own works.
タイトルや名前を忘れても、記憶から映画やドラマにたどり着ける検索プラットフォーム
