This enigmatic prose fragment, written during Gogol's residence in Rome, represents a rare example of explicitly autobiographical writing in his literary output. Composed as a series of impressionistic reflections on moonlit Italian nights, the text reveals Gogol's complex emotional and aesthetic response to Mediterranean culture while demonstrating his capacity for lyrical description typically subordinated to satirical or narrative purposes in his major works. Unlike his fiction with its characteristic social engagement and moral concerns, this fragment offers an intimate glimpse of Gogol's private consciousness through its meditative structure and emotional openness. Literary scholars have noted how this work's stylistic departures from Gogol's public literary voice reflect his ongoing aesthetic evolution during his Italian sojourn—a period when his withdrawal from Russian literary circles coincided with increasing spiritual preoccupations that would eventually dominate his later career. The text's atmospheric qualities and subjective impressionism anticipate elements of Russian modernist prose, particularly evident in Bunin's later Italian sketches, while its underlying melancholy suggests personal dimensions of Gogol's creativity rarely visible in his published fiction. Though marginal within his canonical works, "Nights at the Villa" offers valuable insights into Gogol's artistic sensibility divorced from the satirical or moral frameworks that typically shape his literary output, revealing aesthetic and emotional capacities that remained largely unexpressed in his major works. "Nights at the Villa" stands as a more personal and autobiographical work by Gogol, reflecting his experiences during his time spent at the Roman villa of Princess Z. Volkonskaya in the spring of 1839. This period was marked by a significant event: the death of the young Count I. Vielgorsky, who had recently arrived in Rome in the retinue of the heir, and whose passing deeply affected Gogol. The work serves as a memoir, offering a unique window into Gogol's personal reflections on friendship, mortality, and the profound impact of witnessing the count's final days. Gogol, who cared for the ailing count, was deeply moved by his attractive character and their burgeoning friendship, an experience that resonated in his subsequent writings and personal correspondence. The "Villa" in the title refers to this specific Roman country estate, which became a temporary home and a setting for Gogol's contemplation on life's fleeting nature. Through this work, Gogol shares his intimate thoughts and feelings about this poignant episode in his life, providing readers with a glimpse beyond his fictional narratives into his own emotional landscape. The text captures the atmosphere of the villa and the interactions between Gogol and those around him during this time of both beauty and sorrow in the Eternal City. While perhaps less known than his fictional masterpieces, "Nights at the Villa" offers valuable insight into the personal experiences that shaped Gogol's worldview and artistic sensibilities. The work reveals Gogol's sensitivity to the themes of illness and death, which would later permeate some of his most famous stories. This modern edition features a contemporary translation from the original Russian manuscript, making his surrealist and existential literature accessible to readers, and enhanced by an illuminating afterword that focuses on Gogol's relationship with Dostevsky, Tolstoy and Turgenev and his influence of Kafka and other surrealist/ absurdist writers, a concise biography (including his Ukrainian heritage), and a detailed chronology of his life and major works. This robust reader's edition introduces readers to the brilliance of Gogol's literature and the context in which he wrote.