Our Mutual Friend, written in the years 1864-65, is the last novel completed by Charles Dickens and is one of his most sophisticated works, combining savage satire with social analysis. It centres on, in the words of critic J. Hillis Miller, quoting from the character Bella Wilfer in the book), "money, money, money, and what money can make of life." In the opening chapters a body is found in the Thames and identified as that of John Harmon, a young man recently returned to London to receive his inheritance. Were he alive, his father's will would require him to marry Bella Wilfer, a beautiful, mercenary girl whom he had never met. Instead, the money passes to the working-class Boffins, and the effects spread into various corners of London society. Most reviewers in the 1860s continued to praise Dickens' skill as a writer in general, though not reviewing this novel in detail. Some found the plot too complex, and not well laid out.[2] The Times of London found the first few chapters did not draw the reader into the characters: "The great master of fiction exhibited all his skill, performed the most wonderful feats of language, loaded his page with wit and many a fine touch peculiar to himself. The agility of his pen was amazing, but still at first we were not much amused." However, in the 20th century reviewers have found much to approve in the later novels of Dickens, including Our Mutual Friend.[4] In the late 20th and early 21st century, some reviewers suggested that Dickens was experimenting with structure, and that the characters considered somewhat flat and not recognized by the contemporary reviewers were true representations of the Victorian working class and key to understanding the structure of the society depicted by Dickens in this noveL

ディケンズの到達点とも言える本作は、テムズ川の底流から「塵の山」に至るまで、金という欲望が人間性を侵食していく様を冷徹かつ壮大に描いた傑作です。腐敗した社会構造をアイロニーと深い慈愛で包み込む筆致は、晩年の彼が到達した究極のリアリズムと言えるでしょう。読者は、金銭に翻弄される人々の滑稽さと気高さを通じ、真の価値とは何かを厳しく突きつけられます。 映像化作品では、霧に包まれたロンドンの陰鬱な質感や緊迫したサスペンスが視覚的に補完され、物語の重厚さが際立ちます。しかし、ディケンズ特有の言葉の魔術や、内面に渦巻く複雑な心理の機微は、やはり原作のテキストでこそ深く味わえる特権です。視覚的リアリティと文学的詩情が共鳴し合う、極上の鑑賞体験をぜひその手で味わってください。