Since his debut in the 1980s, Lewis Klahr has built a mesmerizing and influential body of work, establishing himself as one of the foremost collage animators—or, as he prefers, a “re-animator.” His films explore themes of identity (Altair), childhood (The Pharaoh’s Belt), sexuality (Pony Glass, Downs Are Feminine), memory (False Aging, Daylight Moon, Engram Sepals), Greek mythology (Lethe, Helen of T, 66), and capitalism (Circumstantial Pleasures). These philosophical explorations are often veiled behind the familiar veneer of mid-20th-century American pop culture—drawing inspiration from film noir, melodrama, crime films, popular music, and comic books. Working with an eclectic mix of found imagery—including magazine ads, home movies, contact sheets, pornography, and comic books—along with layered soundscapes, Klahr’s characters drift through fragmented times and spaces, searching for connection and an elusive sense of self. Despite the allure of vivid pop culture references, Klahr’s films resist easy interpretation. His elliptical, dream-like narratives challenge viewers, creating spaces where meaning remains fluid and unresolved. Yet this ambiguity is intentional—Klahr embraces the uncertainty between his work and its audience, inviting exploration over resolution. In Dreaming a Way (of) Life: The Films of Lewis Klahr, award-winning writer Chris Robinson (The Animation Pimp, Unsung Heroes of Animation, Earmarked for Collision) offers the first full-length study of this prolific and influential collage animator. Through insightful analysis, Robinson unveils the depth and complexity of Klahr’s artistic vision, guiding readers into the magic and mystery of his cinematic universe. Key Features: First in-depth study of the work of American collage artist, Lewis Klahr Mixed biography with philosophical influenced approach to the major themes of his work Introduction of important experimental and independent animation figure that shows readers animation beyond typical industry fare.

本書は、コラージュ・アニメーションの旗手ルイス・クラーが描く重層的な記憶の迷宮を、クリス・ロビンソンが哲学的な筆致で解剖した野心的な一冊です。広告やコミックの断片を「再生命化」し、資本主義の闇や自己の揺らぎを炙り出すクラーの真髄が、緻密な批評によって鮮やかに言語化されています。 映像が放つ断片的な詩情に対し、本書はテキストならではの深い洞察を与え、視覚的な魔術を理論の深みへと昇華させます。映画を観るだけでは到達できない思考の深淵。映像と書籍が響き合うことで、私たちは掴みどころのない夢の真実をようやくその手に捉えることができるのです。未知のアート体験を渇望する者に贈る、至高のガイドブックと言えるでしょう。