Still, with his life as entwined as it was with New Directions, Laughlin speaks often and interestingly about some of the giants of the modern period -- most often Ezra Pound, in whose work Davenport had a deep interest. The most distinct aspect of their correspondence stems from the fact that, although Laughlin ended up publishing some of Davenport's work, their friendship was the primary force behind their letters. More than simply detailing an author/publisher relationship, these letters depict two fine minds educating and supporting each other in the service of literature"--Jacket.