"This two-volume work explores a static long take, termed a still Einstellung, as well as coexistent still and moving imagery by Lumière, Welles and the MPEG compression codec, to contemplate the kind of image it generates. The author embraces neologisms to capture specific aesthetic-technical phenomena more accurately than has hitherto been possible. Stillmoving I is a film theoretical exploration of Einstellung where the author asks whether this image is a still image, or a moving image, or both, or neither, or, finally, what Faldalen terms stillmoving. Stillmoving II explores Einstellung through a small set of specific case studies"-- Provided by publisher.