FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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モンスターズ/地球外生命体
モンスターズ/地球外生命体

モンスターズ/地球外生命体

“国境まであと125kmー”

20101h 34m★ 6.2ドラマスリラーサイエンスフィクション

あらすじ

ハリウッド版「ゴジラ」の監督を務めたギャレス・エドワーズが、その監督に抜擢される契機となったSF映画。太陽系に地球外生命体の存在を確認したNASAは、探査機でサンプルを採取したが、大気圏突入時にメキシコ上空で大破してしまう。それから6年後、モンスターたちの襲撃で大きな被害を受け、国境を閉鎖されたメキシコでスクープを狙うカメラマンのコールダーは、ケガをした社長令嬢サマンサをアメリカ国境付近まで送り届ける命令を受けていた。

作品考察・見どころ

AIが作品の魅力を深く読み解いています

興行成績

製作費: $500,000 (1億円)

興行収入: $5,639,730 (8億円)

推定収支: $5,139,730 (8億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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レンタル・購入

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キャスト

スクート・マクネイリー
スクート・マクネイリー
Andrew Kaulder
Whitney Able
Whitney Able
Samantha Wynden
No Image
Mario Zuniga Benavides
Ticket Seller
Annalee Jefferies
Annalee Jefferies
Homeless Woman
Justin Hall
Justin Hall
Marine
Ricky Catter
Ricky Catter
Marine
Paul Archer
Paul Archer
Marine
No Image
Kerry Valderrama
Marine
No Image
Jonathan Winnford
Marine
No Image
Stan Wong
Marine

スタッフ・制作会社

監督: ギャレス・エドワーズ

脚本: ギャレス・エドワーズ / Toby Rushton

音楽: Jon Hopkins

制作: Nigel Williams / Nick Love / Rupert Preston

撮影監督: ギャレス・エドワーズ

制作会社: Vertigo Films / Protagonist Pictures

TMDB ユーザーのレビュー

Andres Gomez
Andres Gomez
★ 6

Story that is so down to earth in spite of talking about alien creatures that you think it could really happen ... only, it is not thrilling and gets boring at some point. The two main characters, though, are very well played by McNairy and Able.

Peter McGinn
Peter McGinn
★ 8

I enjoyed this film. There, I said it. I have watched it twice and will again at a future time. I see it more as suspense rather than as an action thriller, the difference Hitchcock explained between a bomb going off and the tension of wondering if it is going to go off. A bulging muscled hero or a bulging cleavaged heroine wouldn't have improved it in my eyes. This is a different sort of alien invasion movie. In fact, it almost feels to me like the invaders dropped in on the planet like drunken tourists and now find they aren't able to fit in or leave but are instead stuck in one bar fight after another. Hmm, okay, that metaphor doesn't quite work, but it feels to me that they aren't here to conquer but rather to try to live their lives. I liked how the connection between the two leads gradually grew stronger after what appeared to be dislike, or at least disinterest. And I have to wonder if the title of the film shares its obvious meaning with a shadow allusion to the monsters within us. I read somewhere that there is no way monsters built like these could walk upright as they are shown doing. But - they are. I can overlook a lapse in science when the movie is good. I am not sure I believe multiple universes Are possible, but a lot of renown physicists do, so there is a fine line between speculative friction and unrealistic plots. What I am saying is that science isn’t my first priority in science fiction. I really enjoy time travel stories, even though most of them don’t bother with making time travel seem feasible. So yes, I liked this film, and you can too if you let yourself

CinemaSerf
CinemaSerf
★ 7

The more sci-fi I watch the more I pray that it isn’t the Americans who discover the potential for extraterrestrial life! This time, NASA sends a probe to collect data from something they think might bear fruit in outer space but they manage to cock up the re-entry of their spacecraft and reduce great swathes of Mexico to the status of a quarantine zone. On the wrong side of this restricted area is hardened photo-journalist “Kaulder” (Scoot McNairy) who instead of getting some snaps of the reason for this new ultra-high security, ends up saddled with “Sam” (Whitney Able) who just happens to be the stranded daughter of his US paymaster. With the infrastructure in tatters and the locals in survival mode, it’s not going to be easy to get them home - especially as the prices are going through the roof and he has a penchant for hookers and getting robbed. It’s this last activity that condemns them both into the hands of the people smugglers and the local, somewhat superstitious at times, tribespeople - but can they make it? Now, first things first, there are virtually no monsters here and it’s a very slowly paced affair - so if you are looking for a sort of alien version of “Jurassic Park” then this won’t be for you. What it does manage, though, on what’s obviously not much more of a budget than these characters had to escape, is take us through a series of effectively photographed and perilous scenarios using the jungle, the rivers, some unscrupulous characters and a solid effort from the audio department to create quite an accumulative sense of menace. There’s a decent degree of chemistry between Able and McNairy, especially as if I’d been her character I’d probably have just thrown “Kaulder” to the crocodiles on more than one occasion! There’s no denying that it does sort of peter out, and the last twenty minutes are not anything to write home about, but if you let your own imagination work alongside that of auteur Gareth Edwards and ignore some of the banal dialogue, then it’s not an half bad thriller that merits a watch.

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