FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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★ 7.0コメディ

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No synopsis available.

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作品考察・見どころ

AIが作品の魅力を深く読み解いています

スタッフ・制作会社

監督: Kim Jin-woo

脚本: 박연선

制作会社: GnG Production

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キャスト

イ・ドンウク
イ・ドンウク
Park Mu-yeol
이시영
이시영
Yoo Eun-jae
제시카 정
제시카 정
Kang Jong-hee
황선희
황선희
Oh Soo-young
이한위
이한위
Kevin Jang
オ・マンソク
オ・マンソク
Jin Dong-soo
임주은
임주은
Kim Dong-ah
이희준
이희준
Go Jae-hyo
이원종
이원종
Yoo Young-gil
홍종현
홍종현
Seo Yoon-yi

TMDB ユーザーのレビュー

John Chard
John Chard
★ 9

When Little Mary Became A Man. The Culpepper Cattle Co. is a splinter of the Western genre that was tagged as revisionist. Often the makers of such Oaters went for a more grizzled look at the West, even demythologising the Hollywood Westerns that had proved so popular for decades. Directed by Dick Richards, The Culpepper Cattle Co. is one such picture. Young Ben Mockridge (Gary Grimes) wants to be a cowboy, to work on the drives and hone his gun play skills. When trail drive boss Frank Culpepper (Billy Green Bush) is in town, Ben begs him for work and is thrilled to be hired as the cook's Little Mary. What he isn't so thrilled about is actually what it's really like out there on a drive... And so it comes to pass, young Ben is at the bottom of the cowboy ladder and Richards and his writing team ensure there is no glamour to be found. The drive is beset with thievery and rustling, killings, stampedes, inner fighting and very hard work for very little pay. The men on the trail all look the same, they dress the same, they smell the same, they are all worked hard and understand the same weary banter. What camaraderie there is is kept to a minimum, they are a team in a working sense, but their loyalty only comes to the fore when they are tasked with fighting and killing' enemies. The bars are not all bright and sparkly, with a well suited man playing a piano, no these are dingy holes with dirty glasses. No bordello babes either, just a hapless lassie loaned out for services by a barkeep who has in his own mind some tenuous right to have her in his keep. This is purposely downbeat, with the photography by Lawrence Edward Williams and Ralph Woolsey emphasising this fact by stripping back the colours for authenticity. While Jerry Goldsmith and Ralph Woolsey's musical score is deftly restrained, perfectly so. The story moves to its final conclusion, a confrontation that excites and depresses equally so, for even in the whirl of bullets and thundering hooves, the realisation dawns on Ben, and us, that nothing changes the life of the cowboys out there on the drives. It's live, work and die. Cowboyin is something you do when you can't do nothing else - Indeed! 9/10

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