

2人のローマ教皇
あらすじ
名優アンソニー・ホプキンスとジョナサン・プライスを主演に迎え、カトリック教会における歴史的転換点の裏側を描き出す。
作品考察・見どころ
興行成績
興行収入: $232,638 (0億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。


名優アンソニー・ホプキンスとジョナサン・プライスを主演に迎え、カトリック教会における歴史的転換点の裏側を描き出す。
興行収入: $232,638 (0億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
FindKeyのエディトリアルチームがこの作品の深層や歴史を解説しています。
監督: フェルナンド・メイレレス
脚本: Anthony McCarten
音楽: Bryce Dessner
制作: Mark Bauch / Leticia Cristi / Diego Robino
撮影監督: César Charlone
制作会社: Rideback
Anthony Hopkins and Jonathan Pryce deliver two award-worthy performances, elevating a surprisingly humorous story about religion. Not a fan of the editing and the film goes on for a bit too long. Rating: B
This is quite a clever piece of work. Both performances demonstrate a complex, sometimes conflicted, humanity in a touching and thought-provoking way. Hopkins, as the scholarly Benedict XVI coming to realise that he no longer feels capable - for various reasons - to remain Pontiff and Pryce as Cardinal Bergoglio with whom he has little in common, and who has come to Rome to seek his permission to retire. The story focuses more on the trials and tribulations of Bergoglio as he rises to prominence in the Jesuit order and navigates the political turmoil of Argentina in the 70s and 80s where he develops a much less "conservative" approach to the issues facing the Catholic Church than his Pope. By the conclusion, however, both men appear reconciled to the honesty and integrity of the other. The extent to which the detail is true is anyone's guess - but by using humour, sport and even ABBA, this proves to be an intimate observational film that is certainly one of Netflix' better commissions.