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The Nanny
The Nanny

The Nanny

19651h 31m★ 6.9ドラマスリラーホラー

あらすじ

No synopsis available.

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作品考察・見どころ

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スタッフ・制作会社

監督: Seth Holt

脚本: Jimmy Sangster / Marryam Modell

音楽: Richard Rodney Bennett

制作: Jimmy Sangster

撮影監督: Harry Waxman

制作会社: Hammer Film Productions / Associated British Picture Corporation / Seven Arts Productions

口コミ

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キャスト

ベティ・デイヴィス
ベティ・デイヴィス
Nanny
Wendy Craig
Wendy Craig
Virginia 'Virgie' Fane
Jill Bennett
Jill Bennett
Aunt Pen
James Villiers
James Villiers
Bill Fane
William Dix
William Dix
Joey Fane
パメラ・フランクリン
パメラ・フランクリン
Bobbie Medman
Jack Watling
Jack Watling
Dr. Medman
Maurice Denham
Maurice Denham
Dr. Beamaster
Alfred Burke
Alfred Burke
Dr. Wills
Harry Fowler
Harry Fowler
Milkman

TMDB ユーザーのレビュー

John Chard
John Chard
★ 8

The Nanny of the Fane household holds sway. The Nanny is directed by Seth Holt and adapted to screenplay by Jimmy Sangster from the novel of the same name written by Evelyn Piper (AKA: Merriam Modell). It stars Bette Davis, Wendy Craig, William Dix, Jill Bennett, James Villiers and Pamela Franklin. Music is by Richard Rodney Bennett and cinematography by Harry Waxman. The Fane family, their Nanny, a tragedy and young Master Joey Fane just released from a school for disturbed children. Secrets will out... A psychological thriller of some substance from Hammer Film Productions, The Nanny thrives on deft story telling and acting of quality from Bette Davis. There's a slight annoyance that the mystery element of the story struggles to command interest, because the title of the film kind of tells us what is wrong in the Fane household equation, but the constant battle between young Joey (Dix excellent as a kid being stubborn and aggressive, but alienated) and Nanny Bette is riveting. Holt builds the core of the story patiently, the Fane house is a fraught place, Craig's mom is perched on the edge of a break down, Villiers' papa a stiff backed type not nearly at home enough and emotionally cut off from the worries of his wife and child. Hovering over them all is Nanny, smoothly weaving about them, holding sway with an unnerving calmness, it's a calm before the storm scenario and once the truths come tumbling out the best impact has been garnered due to the unfussy and unhurried work of the production team. Filmed suitably in black and white and primarily shot in the confines of one home, picture has atmosphere and oppressive feeling in abundance. The lack of that mystery intrigue, and a less than barn storming finale, stop it from being in the top tier of the Hammer-Psycho-Chiller list, but it's an easy film to recommend to fans of the genre and especially to fans of the irrepressible Madame Davis. 7.5/10

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