FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

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レディ・バード
レディ・バード

レディ・バード

“羽ばたけ、自分”

20171h 34m★ 7.3ドラマコメディ

あらすじ

2002 年、カリフォルニア州サクラメント。閉塞感溢れる片田舎のカトリック系高校から、大都会ニューヨークへの大学進学を夢見るクリスティン(自称“レディ・バード”)は、高校生最後の 1 年、友達や彼氏や家族について、そして自分の将来について悩んでいた。

作品考察・見どころ

本作の圧倒的な魅力は、シアーシャ・ローナンとローリー・メトカーフが体現する、愛憎が表裏一体となった母娘のヒリつくような関係性にあります。反抗と希求が交錯する二人の応酬は、観る者の過去の傷跡を優しく、かつ鋭く撫でるようなリアリティに満ちており、俳優たちの凄まじい演技力が物語に血の通った「痛み」を吹き込んでいます。 グレタ・ガーウィグ監督は、自立を急ぐ少女の焦燥を「注意深く見ること、それが愛である」という深い洞察と共に描き出しました。ありふれた風景が、去るべき場所となった瞬間に輝きを放つ映像演出は、青春の終わりと再生を象徴しています。自分を定義し直そうともがくすべての魂に、赦しと誇りを与える至高の人間讃歌です。

興行成績

製作費: $10,000,000 (15億円)

興行収入: $79,000,000 (119億円)

推定収支: $69,000,000 (104億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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特集レポート

FindKeyのエディトリアルチームがこの作品の深層や歴史を解説しています。

自分を愛する勇気が湧く。『ストーリー・オブ・マイライフ』ほか、魂を肯定する至高の映画5選

FindKey Editorial2026/2/4

キャスト

シアーシャ・ローナン
シアーシャ・ローナン
Lady Bird McPherson
ローリー・メトカーフ
ローリー・メトカーフ
Marion McPherson
トレイシー・レッツ
トレイシー・レッツ
Larry McPherson
ルーカス・ヘッジズ
ルーカス・ヘッジズ
Danny O'Neill
ティモシー・シャラメ
ティモシー・シャラメ
Kyle Sheible
ビーニー・フェルドスタイン
ビーニー・フェルドスタイン
Julie Steffans
Lois Smith
Lois Smith
Sister Sarah Joan
スティーヴン・マッキンリー・ヘンダーソン
スティーヴン・マッキンリー・ヘンダーソン
Father Leviatch
オデイア・ラッシュ
オデイア・ラッシュ
Jenna Walton
ジョーダン・ロドリゲス
ジョーダン・ロドリゲス
Miguel McPherson

スタッフ・制作会社

監督: グレタ・ガーウィグ

脚本: グレタ・ガーウィグ

音楽: Jon Brion

制作: イーライ・ブッシュ / スコット・ルーディン / Evelyn O'Neill

撮影監督: Sam Levy

制作会社: IAC Films / Scott Rudin Productions / Entertainment 360

TMDB ユーザーのレビュー

Innovator
Innovator
★ 5

This movie was ok (it wasn't boring nor was it very entertaining). At first I didn't understand the point it was trying to make. Was it you can shortcut your way to your dreams if you lie, cheat, and steal (as that was exactly what she did)? It wasn't about the pressures of class division (as a review I read states), as no one treated her as any differently regardless of her social status and any division she felt was just in her head. Her anxiety against her parents, the school, and the upper class of her school turned out to be non-issues, and when she got to where or what she wants, she just finds that the grass never gets greener for her once she was on the other side. In fact, she just becomes resented by those she abandons to get there and ultimately ends up longing for the side she left. If anything the movie was saying that those who are rich aren't as unexclusive as those without think, and they are just like everyone else. Just as the main protagonist was rebelling against her life to gain acceptance, so were the kids of the rich in that they are also just seeking acceptance. That doing anything to get your dreams won't lead to satisfaction as life on the other side isn't any better, you just end up hurting others by getting there that way, and in hindsight blinded you from what you already had. I guess the movie had something to say after all. ★★½ - Not dull, nor was it very entertaining.

Gimly
Gimly
★ 3

I think _Lady Bird_ is my film for 2017 where me and everyone else on the planet just straight up do not see eye to eye. At no point during _Lady Bird_ did I feel drawn in. I genuinely did not enjoy my time with Greta Gerwig's directorial debut. I haven't come across a single other person who feels the same, but I must be honest to my experience. Normally this is where I would say something along the lines of, "It's just because this isn't my sort of movie" except that last year _Edge of Seventeen_ dealt with virtually identical subject matter and that was one of my favourite movies of the year. So I'm just wrong I guess? _Final rating:★½: - Boring/disappointing. Avoid where possible._

brooket123
brooket123
★ 10

This is one of my absolute favourite movies of all time. I understand why some might give it low ratings as it is directed at a very specific white female audience but all I have to say to that is "they didn't understand it". This is the ultimate comfort movie for me and I will take no criticism.

beyondthecineramadome
beyondthecineramadome
★ 10

Full review: <a>https://www.tinakakadelis.com/beyond-the-cinerama-dome/2021/12/28/attention-attention-attention-lady-bird-review<a> The opening image of writer/director Greta Gerwig’s impressive debut, _Lady Bird_, is of Marion (Laurie Metcalf) and Christine (Saoirse Ronan) asleep together in a hotel bed. Their faces are close, like mirrored images of each other. Not only do they look alike, they are two sides of the same coin. It’s why they get along so well and why they can wound each other so deeply. This mother-daughter relationship is the crux of the story Lady Bird tells. The movie chronicles Lady Bird’s (as Christine insists on being called) last year of high school in Sacramento. She can’t wait to leave, and is hoping to graduate and attend an East Coast liberal arts school. She’s looking for culture, and Sacramento has probably been in her rearview mirror for as long as she’s been alive.

Nathan
Nathan
★ 9

_Lady Bird_ is a fantastic coming of age story that is a lot deeper than its contemporaries in the genre. It deals with more than just boys and self-discovery, but familiar past, the complex relationships between parents, and the deep understanding that home is comfort no matter how terrible it may seem in the moment. It is all crafted so well that the experience is instantly relatable allowing many viewers to resonate with her. Despite this movie being a tad overhyped by many critics, it is still a brilliant film that is easy to watch and can somehow make me laugh and cry at the same time. **Score:** _90%_ | **Verdict:** _Excellent_

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