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Jew Süss
Jew Süss

Jew Süss

19341h 45m★ 5.0ドラマ履歴ロマンス

あらすじ

No synopsis available.

作品考察・見どころ

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スタッフ・制作会社

監督: Lothar Mendes

脚本: Lion Feuchtwanger / Dorothy Farnum / A.R. Rawlinson

音楽: Bretton Byrd / Charles Williams

制作: Michael Balcon

撮影監督: Roy Kellino

制作会社: Gaumont-British Picture Corporation

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キャスト

コンラート・ファイト
コンラート・ファイト
Josef 'Jew Süss' Oppenheimer
Benita Hume
Benita Hume
Marie Auguste
Frank Vosper
Frank Vosper
Duke Karl Alexander
Cedric Hardwicke
Cedric Hardwicke
Rabbi Gabriel
Gerald du Maurier
Gerald du Maurier
Weissensee
Paul Graetz
Paul Graetz
Landauer

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 7

Conrad Veldt is at the top of his game in this adaptation of Feuchtwanger's eponymous play published in the middle of WWI. Oddly enough, he didn't much care for it and it's exposure was short lived until picked up by Lothar Mendez almost twenty years later as a vehicle for this most enigmatic of actors. The story is simple enough. Veidt is a clever, ambitious man - not just for himself, but for his Jewish community in the feudal German duchy of Würtemburg. His task is made slightly easier by the fact that the hereditary dukes were little better than in-bred dolts, and soon he has the pretty nasty, womanising, "Karl Alexander" (Frank Vosper) in the palm of his hand. Except, that after a while even he realises that this odious individual is meritorious of little better than loathing. There's a degree of hypocrisy from "Sùss" - he is a lover, he loves the trappings of wealth and luxury, he thrives in the rarefied world of the aristocracy; yet he still wants to improve the lot for his frequently dispossessed and persecuted people and his characterisation is mesmerising. It has a intimacy to it - both to those on screen with whom he is always tactile, but with us too as his performance reminds us that this is essentially a star of silent films who can uses his eyes and gesture every bit as effectively as he can his voice. Whilst historically distanced from the National Socialism that was to come, it does draw parallels between a distant, self-centred style of government that the writer wanted none of. We are helped by some interesting characterisations, no-one is quite whom they seem (or think) - and the production is adequate. Give it a go.

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