FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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アポカリプト
アポカリプト

アポカリプト

“マヤ文明、崩壊前夜。我々は驚異の世界の目撃者となる!”

20062h 17m★ 7.6アクションドラマ履歴

あらすじ

舞台はマヤ文明の栄える中央アメリカの密林地帯。平穏な生活を営む狩猟民族の集落を、マヤ帝国の傭兵部隊が襲撃する。そして拉致連行された村民たちを待っていたのは、見たことのないような先進的な文明を持つマヤの都だった。そして彼らは、何故自分たちがここに連れてこられたのか、《衝撃の真実》を目の当たりにすることになる・・・!セリフは全編マヤ語を用い、キャストも映画未経験の現地人を採用するなど、徹底的にリアリティを追求。また、今なお謎の多いマヤ文明の都市や風俗、そして想像を絶する残酷な祭祀の一部始終を、徹底した調査を元に造営された巨大な都市のセットと最新のCG技術を駆使し見事に再現。その圧倒的スケールの映像世界は全米の批評家たちにも絶賛され、アカデミー賞、ゴールデン・グローブ賞などで数々のノミネーションを獲得した。そして、縦横無尽にジャングルを駆け巡り繰り広げられる迫真のサバイバル・アクション・シーンは、息をも付かせぬスピード感と臨場感で観る者の心拍数を極限まで上昇させる!

作品考察・見どころ

メル・ギブソン監督が放つ「生」への執着と文明の黄昏を描いた本作は、映像の力を再認識させます。マヤ語のリアリズムと妥協なき描写の先にあるのは、恐怖を凌駕できるかという問い。密林を疾走するカメラワークが、観る者の本能を揺さぶり、心拍数を極限まで跳ね上げます。 滅びゆく帝国の退廃と生存本能が激突する様は圧巻です。文明の崩壊は内側から始まるという警句を、キャストの熱演が強烈な説得力で突きつけます。単なる追走劇を超えた魂の咆哮。これこそ、銀幕でしか成し得ない真の映像体験と言えるでしょう。

興行成績

製作費: $40,000,000 (60億円)

興行収入: $120,654,337 (181億円)

推定収支: $80,654,337 (121億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

Rudy Youngblood
Rudy Youngblood
Jaguar Paw
Raoul Max Trujillo
Raoul Max Trujillo
Zero Wolf
ヘラルド・タラセナ
ヘラルド・タラセナ
Middle Eye
Iazua Larios
Iazua Larios
Sky Flower
Antonio Monroy
Antonio Monroy
Chilam
María Isabel Díaz Lago
María Isabel Díaz Lago
Mother in Law
Dalia Hernández
Dalia Hernández
Seven
Jonathan Brewer
Jonathan Brewer
Blunted
Morris Birdyellowhead
Morris Birdyellowhead
Flint Sky
No Image
Carlos Emilio Báez
Turtles Run

スタッフ・制作会社

監督: メル・ギブソン

脚本: メル・ギブソン / Farhad Safinia

音楽: ジェームズ・ホーナー / Daniel Nielsen

制作: Bruce Davey / Ned Dowd / Vicki Christianson

撮影監督: Dean Semler

制作会社: Icon Entertainment International / Icon Productions / Touchstone Pictures

TMDB ユーザーのレビュー

Gimly
Gimly
★ 6

I don't know if there is a better example of dedication in filmmaking out there than there is in _Apocalypto_. Brilliant, if overrated. _Final rating:★★★ - I personally recommend you give it a go._

GenerationofSwine
GenerationofSwine
★ 10

Let's be honest, almost all of the 1 star reviews are because of how the Mayan's are depicted and stem from a lack of historical knoweldge. There seems to be the misconception that the Mayans were peaceful and didn't sacrifice humans... which reminds me of when my wife and I went to visit her family in Guatemala where the high point was really watching the American tourists swim in pools of water that probably had the bodies of thousands of sacrificial victims at the bottom... mostly 14 year-old boys. Yeah, no way I would get in that water, but then I know what's beneath it. Apocaypto is kind of about that... but it doesn't really convey the fact that, like the rest of Central and South America the sacrifice was to prevent the end of the world... and this kind of makes it about drought (which hit about the time they made contact with the west) And it really doesn't convey the culture very well... but it does seem to zero in on the point that it wasn't their own people they were sacrificing, it was the people removed from the cities, the people that fell under the Mayan Empire, but weren't exactly a part of it... ... which is what the Aztecs did too. But, who cares, in the end it's a brutal fight for survival, and it's an entertaining one.

CinemaSerf
CinemaSerf
★ 7

Tapir's testicle, anyone? They're not quite the delicacy the playful warriors claim as they tease one of their pals, but it's illustrative of the nature of the relationship between these young Mayan tribesmen who, thus far, have found their greatest fear emanating from a menacing mother-in-law who is demanding that she gets grandchildren. That all changes when a more dominant war party arrive looking for sacrifices. The shrewd "Jaguar Paw" (Rudy Youngblood) manages to hide his expectant wife and their child in a deep pit, but he is himself taken prisoner by "Zero Wolf" (Raoul Max Trujillo) and removed to the capital - after witnessing his father's slaughter at the hands of "Middle Eye" (Gerarardo Taracena). Once there, in this sight of an almost complete pyramid, they are to be offered to their great god Kulkulkan. It's as if by a divine intervention that this young man is spared, but that mercy is short lived as he merely now becomes the plaything of the warriors. They have one chance of escape, but that only earns him the furious enmity of the powerful 'Zero Wolf" and soon one hell of a cat and mouse game ensues. The photography really does capture the density of the Mexican forests and the Mel Gibson's direction the gruesome and gruelling lives of the young men who lived and died at the behest of the priests. What we are also exposed to is a civilisation teetering on the edge. Disease is rife - hardly surprising when we see the sheer volume of corpses lying around, and amidst all this desperation some of the dialogue is rousing, powerful and sometime quite relaxed too. Many of the actors are genuine tribesmen and some deliver some more than incidental parts quite well, but it's Youngblood, Trujillo and perhaps best of all - Taracena, who make this a grudge match well worth watching. It's sumptuous, this film. Gritty, bloody, violent - but sumptuous. Well worth a watch, and a big screen does great justice to the super cinematography.

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