“8番出口から、外に出ること。”
どこにでもある地下通路に迷い込んでしまった男。 “ご案内”に従って通路を進みつつも、次々と襲いかかる“異変”。 この空間は現実なのか？ 幻想なのか？ 果たして、男は無事に地下通路から脱出できるのか？
製作費: $1,400,000 (2億円)
興行収入: $42,911,587 (64億円)
推定収支: $41,511,587 (62億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
FindKeyのエディトリアルチームがこの作品の深層や歴史を解説しています。
Exit 8 adapts Kotake Create’s 2023 video game into a psychological loop that traps viewers in the same disorienting corridor as its protagonist, using shifting perspectives and symbolic typography to reflect inner guilt and trauma. While the repetitive structure and timeline inconsistencies may test patience, the film builds tension through the suffocating feeling of being stuck rather than through conventional scares. Ultimately, it delivers a reflective and immersive experience that favors emotional resonance over neat answers. Read the full review here: (Indonesian version : alunauwie.com) and (English version : uwiepuspita.com)
When a rather asthmatic sounding young gent (Kazunari Ninomiya) gets off a subway train, he gets a call from his ex-girfriend telling him that she is in the hospital and that she is pregnant. What is he to do - especially as he has just witnessed a stroppy man on the packed train lose the plot with a mother and her young, screeching, babe-in arms and ignored it? He agrees to head to the hospital, and so heads for exit eight. Thing is, he never seems to get any nearer to it and after a while he starts to notice a sort of groundhog day scenario is occuring. He stops to read a safety notice on the wall which gives him a bit of a clue, and now he has to play a game of increasingly frustrating and quite ruthless spot the difference, whilst being distracted by a curious grinning man (Yamato Kochi), a mature-for-her-years high school student (Kotone Hanase) and the an observant young lad (the star of the show Naru Asanuma) who might be lost, or might be significant in an altogether unexpected fashion. Now barring one scene that might just fit the bill, this isn't so much an horror film as a psychological thriller with precious little dialogue and quite a lot of repetition. It does present us with a game we can all play, to an extent, but much of the characterisation is based on a very thin story that gives us little context in which to work. We are drip fed clues that seem designed more to spin the film out rather than to enrich the plot or make us think, and though there is certainly an element from our protagonist of seeing yourself as others see you, there was just too much missing from the thread to keep me interested. It reminded me of one of those television "Tales of the Unexpected" and had it been cut to forty minutes and tightened up, it might have worked better as a mystery with a message. It might make you think about walking next time, rather than getting the metro.
