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The Night Has Eyes
The Night Has Eyes

The Night Has Eyes

19421h 19m★ 6.4スリラー謎ホラー

あらすじ

No synopsis available.

作品考察・見どころ

この作品の真の魅力は、ヨークシャーの荒野を舞台にした息詰まるようなゴシック・ホラーの空気感にあります。若きジェームズ・メイソンの圧倒的な演技力が、戦争の傷跡に苦しむ男の危うさと色気を際立たせ、観る者を深い心理的な迷宮へと誘います。単なる恐怖を超えた、人間の脆さと孤独が織りなすドラマティックな緊張感こそが本作の白眉と言えるでしょう。 アラン・ケニントンの原作が持つ緻密な心理描写を、映像ならではの陰影豊かな演出と不穏な音響効果で見事に昇華させています。文字で語られる内面の葛藤を、霧に包まれた邸宅という閉鎖空間に置換することで、より直感的で逃げ場のない恐怖を構築することに成功しました。メディアの枠を超えたこの相乗効果が、クラシック・スリラーとしての風格を揺るぎないものにしています。

口コミ

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予告・トレイラー

キャスト

James Mason
James Mason
Stephen Deremid
Wilfrid Lawson
Wilfrid Lawson
Jim Sturrock
Mary Clare
Mary Clare
Mrs. Ranger
Joyce Howard
Joyce Howard
Marian Ives
No Image
Tucker McGuire
Doris
No Image
John Fernald
Dr. Barry Randall
No Image
Dorothy Black
Miss Fenwick
No Image
Amy Dalby
Miss Miggs
No Image
Jack Vyvyan
Local Policeman (uncredited)

スタッフ・制作会社

監督: Leslie Arliss

脚本: John Argyle / Leslie Arliss / Alan Kennington

音楽: Charles Williams

制作: John Argyle

撮影監督: Günther Krampf

制作会社: Associated British Picture Corporation

TMDB ユーザーのレビュー

John Chard
John Chard
★ 7

When the moon shines bright… The Night Has Eyes (AKA: Terror House/Moonlight Madness) is directed by Leslie Arliss who also adapts the screenplay from the novel written by Alan Kennington. It stars James Mason, Wilfrid Lawson, Mary Clare, Joyce Howard and Tucker Maguire. Music is by Charles Williams and cinematography by Gunther Krampf. “You seem to regard me as some sort of male sleeping beauty who is restored to life by your kiss” During the school term break, two lady school teachers travel to the Yorkshire Moors in the hope of finding out what happened to a fellow work colleague who vanished there a year previously. Arriving on the moors at night time, a storm breaks and the two women are thankful to stumble upon an isolated house where somebody is at home. The inhabitant is Stephen Deremid (Mason), a mysterious man who may just hold the key to what happened to the ladies’ missing colleague. Ok! It’s a stage bound “Old Dark House” film that has noir shadings but is more in keeping with classic Gothic offerings like Jane Eyre, Uncle Silas and Gaslight. The setting is a doozy, a creaky and shadowy mansion with a secret room, add in a storm from hell, the foggy moors that hold secrets along with the patches of quicksand (quickbog?), a seriously brooding leading man greatly troubled by his past, a spunky heroine fronting up for love interest and some possible perilous shenanigans… and you are good to go for some dark deeds and closeted skeletons. Director Arliss builds the suspense very slowly, dangling snippets of information that teases the audience as to what might be going on in this shadowy abode. Stephen is a music composer, he is also a veteran of the Spanish Civil War, the effects of which has left him scarred. Why does he take tablets? Why is the moon significant? Now that his house servants have turned up, do they know what happened to the girl last year? It all builds towards the film’s chilling climax, where all is revealed, and not insultingly so. The cast all perform well under Arliss’ direction, with Mason honing the brooding lead man act that would serve him so well in his career. Cinematographer Gunther Krampf (Nosferatu/The Hands of Orlac) creates an eerie atmosphere of fog-bound menace out on the moors, and also a foreboding darkened house of shadows for the interior of the Deremid mansion. The slow pace may put some off, and you are asked to forgive one or two dumb character reactions to certain situations, but this rewards the patient and very much it's a film for Gothic thriller fans to seek out. 7/10

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