Nola Jones' artistic journey began in painting in the early 60s and then travelled through disparate media from copper to fibre and through to papier mache, wood pulp assemblage and adaptation of the found object. Her idiosyncratic journey through sculpture over four decades mirrors her broad international travels and a will for experimentation. This comprehensive monograph maps a chronology through mediums whose contrasts are stark and whose inspirations are rich and original. From early polemic works, through to anthropomorphic wall pieces and vivid totems, the work of Nola Jones speaks of esoteric ritual and common threads across time. Rich in colour, abstract geometry and resourceful re-use, the evolution of her career in sculpture is told through 153 colour plates and the artist's own candid, practical and direct understanding of forty years in the studio. Featuring a forward by Joe Eisenberg, a detailed essay by American critic Jonathan Goodman and an illuminating interview with the artist, this book navigates the questions central to sculpture in contemporary art.