FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

FindKeyについてロケ地 (試験中)利用規約プライバシーポリシーお問い合わせ
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Capitani
Capitani

Capitani

2019★ 6.7犯罪
完結 (Ended)
NetflixNetflix Standard with Ads

あらすじ

No synopsis available.

作品考察・見どころ

AIが作品の魅力を深く読み解いています

スタッフ・制作会社

監督・制作: Thierry Faber / Eric Lamhene / Christophe Wagner

制作会社: Samsa Film / Artémis Productions

シーズンとエピソード

口コミ

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キャスト

Luc Schiltz
Luc Schiltz
Luc Capitani
Sophie Mousel
Sophie Mousel
Elsa Ley
Edita Malovčić
Edita Malovčić
Valentina Draga
Edson Anibal
Edson Anibal
Lucky Onu
Tommy Schlesser
Tommy Schlesser
Arthur Koenig
André Jung
André Jung
Gibbes Koenig
Lydia Indjova
Lydia Indjova
Bianca Petrova
No Image
Adrien Papritz
Dominique Draga
Jennifer Heylen
Jennifer Heylen
Grace Onu
Philippe Thelen
Philippe Thelen
Toni Scholtes

配信サービス

サブスクリプション

Netflix
Netflix Standard with Ads

TMDB ユーザーのレビュー

Folio Swami
Folio Swami
★ 2

The first season was okay. Quite special for Europe. It touched on the subjects of racism and closed communities, so common in Europe. It had a touch of a racist twist, probably to please the State Television higher ups, but that was acceptable. The second season goes on full power in the typical European setting: the Blacks, the Eastern Europeans, they are all up to rob ”us” ”true” Whites blind. Savages with their rituals, and it takes one of ”us” to save these backwards people from themselves. The first season was about a cop investigating a death. So, yea, the police was all over the place, the knights in shinny armor. And that was compensated with the bumblings of the provincial police, in their less than perfect procedure. The second season it's all about state propaganda: love the police, love Big Brother, even if the main character isn't part of the police force, more, he can't go back and get hired. And, as all propaganda, it fails on its nose once reason is engaged: all those mafia structures were in place because of the police activity, as there is no tooth fairy installing such an elaborate power structure during the night of Halloween. And the Eastern European girls are prostitutes, and drug addicts. Because the ”true” White ladies have ”real” jobs. And all the Blacks are drug dealers. And violent. You know that Black skin makes you violent and not as civilized as the White skin. Actually, Black skin is the marker in this show for drug dealer.

Folio Swami
Folio Swami
★ 2

The first season was okay. Quite special for Europe. It touched on the subjects of racism and closed communities, so common in Europe. It had a touch of a racist twist, probably to please the State Television higher ups, but that was acceptable. The second season goes on full power in the typical European setting: the Blacks, the Eastern Europeans, they are all up to rob ”us” ”true” Whites blind. Savages with their rituals, and it takes one of ”us” to save these backwards people from themselves. The first season was about a cop investigating a death. So, yea, the police was all over the place, the knights in shinny armor. And that was compensated with the bumblings of the provincial police, in their less than perfect procedure. The second season it's all about state propaganda: love the police, love Big Brother, even if the main character isn't part of the police force, more, he can't go back and get hired. And, as all propaganda, it fails on its nose once reason is engaged: all those mafia structures were in place because of the police activity, as there is no tooth fairy installing such an elaborate power structure during the night of Halloween. And the Eastern European girls are prostitutes, and drug addicts. Because the ”true” White ladies have ”real” jobs. And all the Blacks are drug dealers. And violent. You know that Black skin makes you violent and not as civilized as the White skin. Actually, Black skin is the marker in this show for drug dealer.

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