FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

FindKeyについてロケ地 (試験中)利用規約プライバシーポリシーお問い合わせ
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フォー・オール・マンカインド
フォー・オール・マンカインド

フォー・オール・マンカインド

“新たなゴールドラッシュが始まる。”

2019★ 7.7ドラマSci-Fi & FantasyWar & Politics
放送継続中 (Ongoing)次回: 2026-03-26 (#1)

あらすじ

あの時、もしも世界の宇宙開発競争が終わっていなかったとしたら。ロナルド・D・ムーアが、危険と隣り合わせのミッションに挑むNASAの宇宙飛行士たちと、その家族の物語を、架空の歴史の世界でスリリングに描く。

作品考察・見どころ

もし歴史の歯車が一つ狂っていたらという壮大なifを描く本作の魅力は、宇宙開発競争がもたらす人類の不屈の精神と、その裏にある犠牲の重みにあります。単なる空想科学に留まらず、国家の威信と個人の情熱が激しく衝突する人間ドラマを、圧倒的なリアリズムで昇華させています。 ジョエル・キナマンらが見せる、歳月を重ねるごとの深みのある演技は圧巻です。絶望を希望へと変え、未踏の地へ挑み続ける彼らの姿は、緻密な映像美と相まって観る者の魂を激しく揺さぶります。これは、困難な時代を切り拓こうとするすべての人に捧げられた、情熱的で至高の人間賛歌です。

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口コミ

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キャスト

ジョエル・キナマン
ジョエル・キナマン
Ed Baldwin
Toby Kebbell
Toby Kebbell
Miles Dale
エディ・ガテギ
エディ・ガテギ
Dev Ayesa
Cynthy Wu
Cynthy Wu
Kelly Baldwin
Coral Peña
Coral Peña
Aleida Rosales
Wrenn Schmidt
Wrenn Schmidt
Margo Madison
Mireille Enos
Mireille Enos
Celia Boyd
Costa Ronin
Costa Ronin
Lenya
Sean Kaufman
Sean Kaufman
Alex Poletov Baldwin
Ruby Cruz
Ruby Cruz
Lily Dale

スタッフ・制作会社

監督・制作: ロナルド・D・ムーア / Ben Nedivi / Matt Wolpert

音楽: Jeff Russo

制作会社: Tall Ship Productions / Sony Pictures Television

配信サービス

サブスクリプション

Apple TV
Apple TV Amazon Channel

TMDB ユーザーのレビュー

Dasha K
Dasha K
★ 1

It's just a soap opera with some space suits sprinkled in. Also it's made by Apple so predictably it looks like a Benetton advert. Not my cup of tea!

Stew_Jakes
Stew_Jakes
★ 2

Includes Spoilers. **Cons:** - The by far biggest problem for me with this series: The writers had the chance to create a fair and equal alternative timeline based on more women in the space race to the moon. What they created is a lazy ripoff from our timeline but just more women in leading position with more space races things and even more capitalism. These women usually earn these positions and we follow them on their paths through the episodes/years but it's just boring fillers. I don't care why they got their posiition if they play a good character which makes sense. This feminisim and forcing a black women and even more people of color into the series to create achievements instead of distributing it more equal feels very forced. Trying to create an unncessary conflict and also depicting it in the series "old white man vs strong women". It's lazy, it's boring, it doesn't add to the bigger story. But see my next point, if you see the none advertised story as the main you don't yet let down. - The space race is just the timeline which we follow. The character drama: lesbians, divorces, new marriages, cheating, thinking about cheating, problems with drugs and much more is the main plot. And you should be in for it, there are whole episodes only that. The Space Race(s) could have been 1 season and that's it. - The Diplomaty parts which could be very interesting are also mostly forced. As the story still kinda follows an ongoing cold war there are even aggressions on both sides but even when both US and UDSSR are killing people from the other side, the concflict isn't played out well. I would have liked to see much more Propaganda, courts, also other nations getting into the conflict aswell. Only 3 sentences about United Nations in season 2, thats it. Also ESA 0 words. - Some very basic Space Rules just got ignored to create more drama/plot. Allowing fire in a pressurized capsule/station, allowing fire weapons anywhere on the space crafts/stations, not checking the logistics for contraband items before shipping. That's things NASA would not in our nor any other similar timeline allow. - To create plot on the moon, no future US Astronauts get trained on Russion and vice versa to keep tension in Lost of Words scenarios. Also only the Russians learn a little bit of english until Season 3 (40 years of timeline) the smart Americans not one word. - As major parts of the series are in space and on the moon, the gravitational problem in filming such a series becomes pretty obvious in most of these shots. They only really cared for it when demonstrating it for a training video inside the story and on most of the walking on the moon scenes. - Using LAM to do transport flights for material aswell as people (holding on the outside of it) feels weird and just like another Plot device to not invent something new. The writes could have gone into Sci-Fi here or use simple conveyer belts instead of such over the top dangerous vehicles. - The Season 3 Spacecrafts look cheaply in CGI unfortunately. **Pros:** - The moon CGI is pretty good. - The real sets look very decent. - Sound and Music Design is top. (German Lip Sync on point as always.) - The major family drama between the Baldwin's and Steven's is mostly good. - Often depicts space very scientificly real with it's real dangers.

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