FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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マンダロリアン
マンダロリアン

マンダロリアン

2019★ 8.4Sci-Fi & FantasyAction & Adventure
完結 (Ended)
Disney Plus

あらすじ

帝国の崩壊から約5年後、ファースト・オーダーが台頭する前の物語。この時代の銀河には中央政府が存在せず、始まったばかりの新共和国の法も銀河の辺境の開拓星には届かない。人々は自分の身は自分で守るしかなく、無法者たちは誰からも干渉されずに独自のルールで生きている。そんな時代にバウンティハンター(賞金稼ぎ)として生きる一匹狼の凄腕ガンファイター、マンダロリアンは、T字型バイザー付きマスクに象徴される惑星マンダロアの戦士のアーマーに身を包み、誰も寄せ付けないほどの圧倒的な強さを誇っていた。ある日マンダロリアンは、バウンティハンター・ギルドのリーダーであるグリーフ・カルガからある高額な報酬の仕事を依頼される。その仕事とは、ある標的を連れてくること。早速、目的地に向かったマンダロリアンだったが…

作品考察・見どころ

本作の真髄は「孤高の戦士と幼き絆」という普遍的な人間ドラマにあります。表情を封じられたペドロ・パスカルが、僅かな仕草と声だけで深い情愛を体現する演技力は圧巻。掟から脱し、愛すべき者のために信念を再定義する魂の成長は、観る者の心を激しく揺さぶります。 最新技術と泥臭い質感を融合させた映像美も秀逸。ケイティー・サッコフ演じるボ=カタンの凛とした佇まいも加わり、伝統の継承と変革が見事に描かれます。血縁を超えた絆を選び取る姿は、孤独な現代を生きる我々にこそ響く至高の叙事詩。銀河の果てに愛を見る、必見の傑作です。

原作・関連書籍

ドラマ・アニメ化された映像作品と原作・関連本と読み比べて、オリジナルならではの違いや描かれなかった裏設定、より深い世界観を独自の視点から楽しみましょう。

スター・ウォーズ 『マンダロリアン』 シーズン1 公式アートブック

スター・ウォーズ 『マンダロリアン』 シーズン1 公式アートブック

シーズンとエピソード

口コミ

あなたの評価を記録する

キャスト

ペドロ・パスカル
ペドロ・パスカル
Din Djarin / The Mandalorian
ケイティー・サッコフ
ケイティー・サッコフ
Bo-Katan Kryze

スタッフ・制作会社

監督・制作: ジョン・ファヴロー

脚本: ジョージ・ルーカス

音楽: Joseph Shirley

制作会社: Lucasfilm Ltd. / Golem Creations / Fairview Entertainment

配信サービス

サブスクリプション

Disney Plus

TMDB ユーザーのレビュー

avidrunner
avidrunner

Great show!

Peter89Spencer
Peter89Spencer
★ 10

Wow! Just, wow! The Mandalorian is not just a sci-fi, but a western as well. Pedro Pascal was awesome as the titular character. But Baby Yoda was the one who stole the show! Great cast, great cast, great special effects. Just great!

Manuel São Bento
Manuel São Bento
★ 9

If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com Star Wars is a very special franchise to millions of people around the world, myself included. I remember when The Force Awakens was announced, and everyone got excited and pumped to experience this beautiful universe once again. However, with social media having a massive impact, the huge fanbase transformed into something so disrespectful and hateful that I find no longer fun discussing the saga with other aficionados... except for The Mandalorian. If I had to bet that Jon Favreau was going to create such an astonishing Star Wars series that the whole fanbase would unanimously love, I would have lost so much money because I would have bet against this. There's no denying that the newest cinematic trilogy is one of the most divisive in the history of cinema. But there's also no denying that The Mandalorian belongs to the saga's universally beloved pieces of cinema/television. This show is a near-perfect depiction of what the universe looks like post-Empire. Some are looking for scraps of the war to make themselves some money, others are trying to hunt criminals to collect bounties, like The Mandalorian or Mando for short (I will use the latter to refer to the character). Following Pedro Pascal's lead character, one that has no name or face throughout the season can be a challenging task in the sense that it's hard to emotionally connect with someone who we wouldn't recognize in the streets. Except we do. Pascal's facial performance might be impossible to evaluate, but his body movements and attitude are so unique that Mando can be easily distinguished from the remaining members of his Guild. Obviously, his costume also helps to tell him apart from other Mandalorians. However, it's the rich, intelligent writing that surprises me. After a few episodes, I feel like I know Mando, even if he doesn't say much. I understand his life principles, who he trusts, who he doesn't... Yes, there are a bunch of secret past adventures that molded him into being what he is (I'll get there). Still, a simple action like not selling something, not killing someone, or simply a helmet turn a bit faster/slower goes a long way to show the audience who's the character we are supposed to support. Every single episode is packed with entertainment. There's always some action, and it always brings something new. It can be an innovative trick, a different location, or new characters like Baby Yoda, who undoubtedly becomes the star of the show, and I'll leave it at that. I won't develop or spoil what everyone is or does, but I do have to mention Gina Carano (Cara) and Carl Weathers (Greef Karga). Both are important to the storyline, and both actors deliver great performances. If Gina gives her all during the action sequences, Carl uses his eloquent speech to provide the necessary exposition. If there was a slight doubt regarding Disney's commitment to this show, the mind-blowing production level shuts down any question about that subject. This series doesn't merely resemble Star Wars, it *feels* like Star Wars. The whole season looks absolutely stunning! Gorgeous cinematography, fantastic set designs, and even the costumes of each species look amazing. Technically, it's one of the best TV shows of the decade, and every director does a tremendous job. One other aspect I love is how each episode feels different. Each director brings his/her personal filmmaking flair, making every chapter feel new every time. Dave Filoni, who fans will know from the animated Star Wars series, does a good job with the pilot. Deborah Chow, who's the sole director of the Obi-Wan series, delivers brilliant action and a fast pace. Rick Famuyiwa puts a horror vibe into his sequences. And Taika Waititi (who also performs the voice of a droid named IG-11) ends the season with a thunderous finale. However, it's due to Jon Favreau's screenplay that everything works together so seamlessly. Impeccable writing, especially concerning the protagonist. I have just one issue with the debut season, which is the overall plot. For a long time, it doesn't feel like it has one. It feels like entertainment for the sake of entertainment, just with compelling characters. Following Mando from planet to planet, from mission to mission, can be tons of fun, but if that's all the season has to give, then that fun can quickly turn into monotony (chapter five is definitely the favorite for the worst episode of the season). A lot of questions concerning Mando's past keep coming up, and while I understand that the series needs to have something for a second season, I also feel that a few answers here and there could have helped the story. If there's one thing that The Mandalorian proves is that Disney has more than enough capabilities to produce a great Star Wars piece... as long as it has someone supervising it with a clear plan and structure, which didn't happen with the sequel trilogy. It isn't a coincidence that the two episodes with no involvement of Favreau on the writing are the season's worst. The apparent lack of a central plot can be damaging, but not enough to steal the "best Star Wars TV series" crown. With an outstanding cast and talented directors, Jon Favreau offers the world the opportunity to live in the Star Wars universe, following Pedro Pascal's character in some of the most entertaining adventures the saga has ever witnessed. Technically superb, with stunning cinematography, excellent editing, an addictive score (it can feel weird in the beginning, but it grew on me), and amazing directing from everyone involved. Nevertheless, it's Favreau's writing and well-planned season's structure that make this debut a gigantic success. Undoubtedly, one of the best shows of the year. Rating: A

Liam1125
Liam1125

I like this movie. It's excellent.

GenerationofSwine
GenerationofSwine

Well into season 3 its clear that meh strong female lead is going to take the place of Mando, I mean they haven't missed an opportunity to have him mess up, get captured just so meh Strong Female Lead can rescue him. And it makes sense. All the Disney shows have been a bait and switch to replace the beloved character for Meh Strong Female Leads. It's a shame. This... well it wasn't good, but it also wasn't bad and for Disney Star Wars not being bad makes the show pretty great. I don't want to say it had potential for greatness, but it also didn't directly attack the fans so it was the best part of Disney Star Wars.

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