FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

FindKeyについてロケ地 (試験中)利用規約プライバシーポリシーお問い合わせ
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本当に良い時代
本当に良い時代

本当に良い時代

2014★ 3.9ドラマ
完結 (Ended)

あらすじ

No synopsis available.

作品考察・見どころ

AIが作品の魅力を深く読み解いています

シーズンとエピソード

口コミ

あなたの評価を記録する

キャスト

이서진
이서진
Kang Dong Suk
김희선
김희선
Cha Hae-Won
オク・テギョン
オク・テギョン
Kang Dong-Hee
류승수
류승수
Kang Dong-Tak
이엘리야
이엘리야
Kim Ma-Ri
최화정
최화정
Ha Young-chun
윤여정
윤여정
Jang So-sim
Hong Hwa-ri
Hong Hwa-ri
Kang Dong-joo

スタッフ・制作会社

監督・制作: Lee Kyoung-hee

脚本: Lee Kyoung-hee

制作会社: Samhwa Networks

配信サービス

レンタル・購入

Amazon Video

TMDB ユーザーのレビュー

ParkMin
ParkMin
★ 4

About a few episodes in, there was a clear pattern that seemed it was going to adopt and it did. The drama had the bad habit of always escaping from conflicts, keep dancing around them until enough time had passed and the viewers won't notice. It didn't dare to go for direct confrontations and real dialogues. Take for example the main conflict in the drama between the male lead and the female lead, it kept getting delayed and pushed around until enough time passed and everything suddenly worked out. No real conversations/confrontations/stakes/tension/emotions. This also resulted in reaching the finale early. The drama practically ended with episode 37, not even before finishing the episode. The remainder of the episodes were a disastrous nightmare to sit through. It kept cycling through empty dialogues between the supporting cast with the highest degrees of mawkish sentimentality and cringe. I had to double and triple check, something must've gone seriously wrong with the production for the drama to turn this way. This kind of practice is what keep veteran actors and actress from picking up daily drama projects. I could feel the pain some of the cast members had to go through enduring this drama reluctantly. Just look at how modern daily dramas projects has become.

ParkMin
ParkMin
★ 4

About a few episodes in, there was a clear pattern that seemed it was going to adopt and it did. The drama had the bad habit of always escaping from conflicts, keep dancing around them until enough time had passed and the viewers won't notice. It didn't dare to go for direct confrontations and real dialogues. Take for example the main conflict in the drama between the male lead and the female lead, it kept getting delayed and pushed around until enough time passed and everything suddenly worked out. No real conversations/confrontations/stakes/tension/emotions. This also resulted in reaching the finale early. The drama practically ended with episode 37, not even before finishing the episode. The remainder of the episodes were a disastrous nightmare to sit through. It kept cycling through empty dialogues between the supporting cast with the highest degrees of mawkish sentimentality and cringe. I had to double and triple check, something must've gone seriously wrong with the production for the drama to turn this way. This kind of practice is what keep veteran actors and actresses from picking up daily drama projects. I could feel the pain some of the cast members had to go through enduring this drama reluctantly. Just look at how modern daily dramas projects has become.

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