ALPHAS/アルファズ
あらすじ
No synopsis available.
No synopsis available.
監督・制作: ザック・ペン
制作会社: BermanBraun
No, sorry, we have seen this before over and over and over again. And though you do have shows like Poltergeist Legacy that did it and managed to be entertaining and as brilliant as Kolchak.... .... Alphas does it and offers nothing new to the table. There are a lot of shows like this that have at least added something new to the concept. That isn't saying that it can't be enjoyable, it just adds nothing to the concept we have seen so often in the past.
## **Alphas (2011) Review: A Promising Cut Short - 7/10** In the crowded landscape of early 2010s superhero television, *Alphas* carved out a distinct and compelling niche. Eschewing flashy spandex for a more grounded, almost procedural approach, the series asked a fascinating question: what if superhuman abilities were simply advanced, yet flawed, extensions of the human brain? For two seasons, it built a compelling world of science-powered metahumans, only to be tragically axed just as its narrative engine was hitting its stride. ### The Strengths: A Brainy Take on Brawn *Alphas* excelled at its core concept. The titular team wasn't comprised of gods or billionaires, but of individuals with hyper-specific neurological abilities. Dr. Lee Rosen (a wonderfully empathetic David Strathairn) led a group including a man with enhanced sight that granted him super-aim, a woman who could interpret subconscious body language, and an "autistic savant" who could see and manipulate electromagnetic fields. The show treated these powers not as magic, but as skills with very real limitations and physiological costs, a refreshingly scientific angle. The show’s procedural format worked well, with the team investigating cases-of-the-week involving other Alphas. This allowed for creative applications of their powers and introduced a rogues' gallery of unique antagonists. The standout was undoubtedly the primary villain, Stanton Parish (a chillingly calm John Pyper-Ferguson), leader of the shadowy organisation "Ghost Train," whose long-term vision for the Alpha race provided a compelling, intellectual threat. ### The Tragic Flaw: An Abrupt End on the Cusp of Greatness The score of 7/10 reflects a show of high potential that was never fully allowed to realise it. The first season was a solid setup, but the second season saw *Alphas* dramatically level up. The stakes were raised, the character development deepened, and the overarching conspiracy with Parish and the Department of Defence was weaving a complex and gripping tapestry. **[Just when it was starting to ramp up]** is the perfect description for its cancellation. The Season 2 finale is one of television's most infamous cliffhangers—a breathtaking, game-changing event that left every main character in a state of catastrophic peril and the entire world forever altered. It wasn't just a tease; it was a paradigm shift, a promise of a brand-new, high-stakes status quo for a potential third season. To have the plug pulled at that precise moment leaves a permanent stain of "what could have been" on the entire series. ### The Verdict **7/10 - A Fascinating, Unfinished Symphony** *Alphas* is a show that is both highly enjoyable and perpetually frustrating to revisit. Its intelligent premise, strong character work, and unique take on superpowers make its two seasons well worth watching for any fan of the genre. David Strathairn's gentle yet firm leadership grounds the ensemble, and the final episodes of Season 2 are some of the best sci-fi television of its era. However, the knowledge of its abrupt, unresolved ending hangs over the entire experience. You invest in this world and these characters, only to have the journey cut off at its most pivotal moment. It remains a beloved cult classic, a tragic reminder of a brilliant show that was just hitting its alpha stride when it was prematurely silenced. **Watch it if:** You enjoy intelligent, character-driven sci-fi and don't mind a great journey with a deeply unsatisfying, abrupt ending. **Skip it if:** You require narrative closure from your television series; the finale's cliffhanger will feel like a betrayal.
