FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

FindKeyについてロケ地 (試験中)利用規約プライバシーポリシーお問い合わせ
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IT/イット ウェルカム・トゥ・デリー "それ"が見えたら、終わり。
IT/イット ウェルカム・トゥ・デリー "それ"が見えたら、終わり。

IT/イット ウェルカム・トゥ・デリー "それ"が見えたら、終わり。

2025★ 8.2ドラマ謎
放送継続中 (Ongoing)

あらすじ

映画館に忍び込み「ザ・ミュージックマン」を見ていた少年マティは追い出され、ある家族の車をヒッチハイクし乗せてもらったが徐々に家族の異常さに気付き行方不明になる。その失踪に疑問を持ったリリーたちがその映画館に赴くが悍ましい光景を目にする。

作品考察・見どころ

本作は、スティーヴン・キングの名作を基に、町を蝕む恐怖の起源を暴く衝撃の物語です。映画版で描ききれなかったデリーの暗黒史が、六十年代の不穏な空気と共に鮮烈に描かれ、観る者の深層心理を揺さぶります。実力派キャストの緊迫した演技は、単なるホラーを超え、逃れられない宿命の残酷さを鮮明に浮き彫りにしています。 原作の膨大な神話をドラマ形式で深掘りした点は本作の白眉です。文字でしか表現し得なかった歴史に潜む悪意を映像で再現し、人間の憎悪が怪物を育むという鋭いメッセージを突きつけます。行間から立ち上がる戦慄を五感で体験できる、圧倒的な映像化の成功例と言えるでしょう。

シーズンとエピソード

口コミ

あなたの評価を記録する

キャスト

テイラー・ペイジ
テイラー・ペイジ
Charlotte Hanlon
ジョヴァン・アデポ
ジョヴァン・アデポ
Leroy Hanlon
Matilda Lawler
Matilda Lawler
Marge Truman
Amanda Christine
Amanda Christine
Ronnie Grogan
クララ・スタック
クララ・スタック
Lilly Bainbridge
Chris Chalk
Chris Chalk
Dick Hallorann
ジェームズ・レマー
ジェームズ・レマー
General Francis Shaw
スティーヴン・ライダー
スティーヴン・ライダー
Hank Grogan
Blake Cameron James
Blake Cameron James
Will Hanlon
エイリアン・S・カルタヤ
エイリアン・S・カルタヤ
Rich Santos

スタッフ・制作会社

監督・制作: アンディ・ムスキエティ / バーバラ・ムスキエティ / ジェイソン・フックス

脚本: スティーヴン・キング

音楽: ベンジャミン・ウォルフィッシュ

制作会社: Warner Bros. Television / Double Dream / Rideback / Vertigo Entertainment / HBO / FiveTen Productions / K Plus Ultra

TMDB ユーザーのレビュー

Dasha K
Dasha K
★ 1

**The show is written for pre-teens and it feels like a silly WB series 🤢** I'm really disappointed with this latest TV show from HBO. The acting is absolutely atrocious, and the writing isn't much better. And I never notice stuff like CGI, but some of the "monster" special effects in this look sloppy or something, like they were thrown together on an internet cafe computer. We literally laughed out loud at some of these "scary" scenes. Anyway I thought it was going to be a somewhat serious horror series, but instead it's just a bunch of writers throwing goofy stuff at the wall to see what sticks. It's definitely intended for young adults/teenagers, which feels more like WB and less like HBO, and personally I was hoping for a show that is somewhat more cerebral. We deserve far better from HBO, usually in shows like Succession we get great acting from phenomenal actors. Definitely not the case in this sloppy show. Seriously who cast these people? PS I guess all the 13 year olds jumped on this website to give this a 10 lol. I recently read an article about this and they called it **Review Bombing** which often happens for with movies from India as well as pre-teen TV shows. **1/10**

MovieGuys
MovieGuys
★ 3

"IT Welcome to Derry" is horrifying for all the wrong reasons. This is a lobotomised, grotesque, over the top, wholly wrong headed, poorly scripted mess. A largely unrecognisable departure from the vastly superior novel and films. The only real upsides I can see is quality acting and solid production values but that is seriously, as far as this series, gets. In summary, no doubt the marketing gremlins will try telling us how "wonderful" this is. That said, fans, like myself, who have read Kings novel and enjoyed the excellent "IT" films over the years, wont be easily fooled. One to avoid.

forzamc
forzamc
★ 8

Fog, Fear, and Family Curses: Welcome to Derry Season 1 Review HBO's Welcome to Derry Season 1 chills the spine of Stephen King's It universe, unearthing 1962 Derry's festering secrets in a taut eight-episode prequel. Showrunners Andy Muschietti and Tommy Brennan sidestep the Losers' glow, spotlighting the town's doomed denizens: pie-baking matriarchs, boozy cops, and wide-eyed kids teetering on Pennywise's abyss. It's folk horror distilled—less spectacle, more soul-rot—building from insidious whispers to a finale blaze. Grade: A-. Jovan Adepo's Leroy Hanlon, a Black vet battling racism and red balloons, anchors the ensemble with raw fury. Cynthia Erivo's Martha Marsh ferries maternal terror through kitchen rituals, while young stand-ins for future Losers (Eddie Kaspbrak vibes included) deliver pint-sized pathos. Bill Skarsgård's Pennywise lurks as a viral specter, not a showboat—melting into snowmen, hissing in mirrors. Episodes brew like a nor'easter: early setups layer mill drudgery with vanishings, mid-season blackouts spawn shadow-stalking regrets. Pacing dips in a lore-heavy flashback, but Chung-hoon Chung's frostbitten cinematography—desaturated whites pierced by crimson warnings—rights it. Themes probe generational sins: bigotry's bite, neglect's feast, complicity's curse, laced with 1960s civil rights grit. Horror hits intimate: sewer births evoke Alien's dread, carnivals clot with bloody candy. Sound warps jazz to wails, burrowing deep. Minor subplots meander, but "Winter Fire" erupts with time-twisted revelations, seeding Losers' doom. A reclamation of King's sprawl—sharp, tragic, shiver-worthy. Derry calls; answer if you dare.

tender_buttkiss
tender_buttkiss
★ 5

IT's hard to make a prequel series after the success of the newest IT films with all the knowledge of how things turn out. My hope going into this series was it would go into how Pennywise came to be. And while it did to some degree, it really didn't explain much. Production value was great, but the story was a hot mess that hinged on 'the power of friends' being what over comes this demonic entity. Oh well. Maybe the second season will be better?

amnyg
amnyg

Absolutely amazing. The casting and the acting was done so well. The graveyard scene was so bad but other than that all the episodes were amazing, dare i say this is the best one yet in the IT franchise they've made. The kids were definitely i wasn't expecting, they did their characters so well! The way they portray in Derry was so chilling and the fact that Pennywise amplify their hatred in fear during those times were so downright terrifying, the rcasim, social injustice, etc. Props to the writers, producers and Andy for making this amazing series. I'm gonna miss the cast so much and i'm looking forward for Season 2!

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