私たちは今日から

Not even Noah's ark can carry these sexless virgins. The general impression is justified, however, its perceived problem is far from being the only problem. The drama is a good case study to be examined for newcomers in the industry, especially screenwriters. These 14 episodes were absolutely marvelous in stacking up a web of irrecoverable problems. I'm not sure if it takes a talent to achieve that or the lack of it. I didn't major in theater, literature, or creative writing, but I can certainly conclude that Jang Ah Mi, the writer of this abomination, is an inept writer. She had no idea what she wanted to do or accomplish. She even had a reference from the source material to help. Writers like her make me reluctant to get into shows with a screenwriting debut credit.