FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

FindKeyについてロケ地 (試験中)利用規約プライバシーポリシーお問い合わせ
© 2026 Bennu Inc.TMDB Logo

本サービスはTMDB APIを利用していますが、TMDBによる推奨・認定を受けたものではありません。

서른, 아홉
서른, 아홉

서른, 아홉

2022★ 8.3ドラマ
完結 (Ended)
NetflixNetflix Standard with Ads

あらすじ

No synopsis available.

作品考察・見どころ

AIが作品の魅力を深く読み解いています

スタッフ・制作会社

監督・制作: 유영아 / Kim Sang-ho

制作会社: Lotte Cultureworks / JTBC Studios

シーズンとエピソード

口コミ

あなたの評価を記録する

キャスト

ソン・イェジン
ソン・イェジン
Cha Mi-jo
チョン・ミド
チョン・ミド
Jeong Chan-young
김지현
김지현
Jang Joo-hee
ヨン・ウジン
ヨン・ウジン
Kim Sun-woo
이무생
이무생
Kim Jin-seok
이태환
이태환
Park Hyun-joon
안소희
안소희
Kim So-won
강말금
강말금
Cha Mi-hyeon
박재준
박재준
Choi Hoon
박지일
박지일
Cha Yoo-hyuk

配信サービス

サブスクリプション

Netflix
Netflix Standard with Ads

TMDB ユーザーのレビュー

ParkMin
ParkMin
★ 4

The drama was a one big tournament of who had it the worst. Whose misery is worse than the next person? Who should be the saddest? Who is the least fortunate? It was a constant competition where everyone was competing for these misery points. This is the drama's biggest downfall, having a handful of "sad" stories competing against the main story of the trio. It misses up with the emotional direction the characters were meant to carry and shifts the focus outside the scoop of the drama. It was nothing but laughable and disingenuous when a certain character had to react to 2 sad events at once. The problem also extends to the casual relationships of everyone around them. There was simply just too much interference with the main story to make the drama work. Outside of the misery, there were a few romantic plot-lines that didn't have a place but was forced anyway. Mi Jo & Seon Woo had a full romance story along side all of the sadness going around. It wouldn't be much of a problem if it was good but their story and romance was tasteless, uncomfortable, tacky and most importantly, lacking the chemistry, easily the worst part of the drama. The drama was also leaning a bit too much onto throwing in a handful of plot conveniences when it really didn't need to. These instances could've been written naturally and it wouldn't stick out as much. The most obvious example was Seon Woo's introduction and his initial connection to other characters. The drama sure does look pretty and attractive but lacks a defining identity. The main trio were good while the rest of the support cast were okay.

おすすめの作品