FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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¡García!
¡García!

¡García!

2022★ 6.0Action & AdventureSci-Fi & Fantasyドラマ
打ち切り (Canceled)

あらすじ

No synopsis available.

作品考察・見どころ

AIが作品の魅力を深く読み解いています

スタッフ・制作会社

監督・制作: Sara Antuña / Carlos de Pando

脚本: Santiago García / Luis Bustos

制作会社: Zeta Studios / HBO Europe

シーズンとエピソード

口コミ

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キャスト

フランシスコ・オルティス
フランシスコ・オルティス
García
Veki Velilla
Veki Velilla
Antonia
Emilio Gutiérrez Caba
Emilio Gutiérrez Caba
Don Jaime
Francisco Reyes
Francisco Reyes
Winters
Daniel Freire
Daniel Freire
Neffenberg
Silvia Abascal
Silvia Abascal
Catalina Bellido 'La Capitana'
Andrés Gertrúdix
Andrés Gertrúdix
Manolo
Diego Martín
Diego Martín
Pablo Rodero
Nico Romero
Nico Romero
Riki
Pepe Ocio
Pepe Ocio
Gabriel Hernando

TMDB ユーザーのレビュー

MovieGuys
MovieGuys
★ 4

The first episode of this series is painfully slow. The second episode is better but this series just isn't resonating, with me. For most of the first episode we get an annoying twenty something, who looks like her mum put a bowl on her head to cut her hair. She wanders about bleating about her failing job as a intern journalist. Then suddenly, she's chasing a vague lead for a maybe story, which involves more aimless wandering about. The second episode introduces the 1960's agent character in more detail but he just doesn't work. The main reason is he doesn't feel like a secret agent, from that period. He's not amazed, shocked or outraged by modern behaviour, to any measurable degree. This response would have really given this character depth. Instead, he feels like a 60's manikin. He reactions are wooden, soul less and unsurprisingly, uninteresting. Apparently, he does not like guns, well even now, that would place him very much, in the wrong profession. The feeling you are left with is an at times woke, revisionist interpretation of the past, that's simply unconvincing. It cause is not helped by failed attempts at humour, either. In short,the standard bland, politically correct, risk adverse fare we have come to expect from Western entertainment. Washed of any colour and life for fear, I suspect, of causing even the slightest molecule of offence.

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