“新しい出会いと別れ── 第一部は序章でしかなかった。”
オーク達の襲撃で離散してしまった「旅の仲間」達。フロドとサムは独力でモルドールの滅びの山への旅路を続けていた。荒涼とした景色が広がるをエミン・ムイル行くその2人の後を指輪の前の持ち主ゴラムが追跡していた。ゴラムを罠に掛けて捕らえた2人だが、すぐに殺そうと主張するサムに対し、フロドはエルフの綱につながれて苦しむゴラムを哀れに思い綱をほどく。フロドは情けをかけてゴラムを信じ、モルドールへの道案内を任せる事にする。
ドラマ・アニメ化された映像作品と原作・関連本と読み比べて、オリジナルならではの違いや描かれなかった裏設定、より深い世界観を独自の視点から楽しみましょう。
脚本: Philippa Boyens / フラン・ウォルシュ / J. R. R. Tolkien
音楽: ハワード・ショア
制作会社: New Line Cinema / WingNut Films / The Saul Zaentz Company
FindKeyのエディトリアルチームがこの作品の深層や歴史を解説しています。
How do you review a show like Doctor Who that has been running for so long, enjoying dizzying highs and terrible lows (I'm looking at you The Twin Dilemma). The concept is the most open there can be. With the TARDIS the show can go anywhere and any when. This lead to a huge range in the stories, from historical with no alien involvement like The Aztecs (1964), to full on sci-fi like The Daleks (1963) and that was just the first series. The show created some of the most memorable monsters with the Daleks and Cybermen being the most famous. Even outside the recurring creatures there were fantastic adversaries like an Egyptian god bent on destruction to an alien splintered through time. Doctor Who also embraced change in the form of the regeneration. The actor playing the Doctor could change and play the part differently but it still was the Doctor. This led to changes in approach to problems and in the attitude of the central character while keeping core values the same. The Doctor is one of the few heroes who rarely resorts to violence to solve problems, usually relying on his intelligence and wits. The show also truly innovated. Many special effects were tried out for the first time on screen. It didn't always work but working with what they had they created some truly memorable television like creating a convincing lunar surface 2 years before the moon landings (The Moonbase 1967). This is my favourite of all television shows, it wasn't always perfect but I love it all the same.
