FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

FindKeyについてロケ地 (試験中)利用規約プライバシーポリシーお問い合わせ
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フォールアウト
フォールアウト

フォールアウト

2024★ 8.1Action & AdventureSci-Fi & Fantasy
放送継続中 (Ongoing)

あらすじ

史上最高のゲームタイトルの一つ「Fallout(フォールアウト)」、それは持てる物などほとんど残されていない不毛な世界を舞台にした、持てる者と持たざる者の物話だ。世界の終末から200年後、快適な地下施設に暮らしていたはずの居住者は、とてつもなく複雑で驚くほど奇妙で、そして暴力に満ちた世界へと足を踏み入れることになる。

作品考察・見どころ

核戦争後の狂気とレトロフューチャーの美学が炸裂する本作は、純真な価値観と残酷な現実の衝突を通じ、人間性の本質を鋭く突きつけます。ウォルトン・ゴギンズらの圧倒的な演技は、観る者の倫理観を激しく揺さぶり、ブラックユーモアの奥にある悲哀を浮き彫りにします。 原作ゲームの自由な探索体験を、実写ならではの生々しい質感と緻密な物語へ昇華させた手腕は見事です。ゲームの精神を完璧に継承しつつ、映像でしか到達できない濃密なドラマを構築しており、未経験者をも一気に没入させる力があります。この容赦ない美しさを、ぜひその目で確かめてください。

原作・関連書籍

ドラマ・アニメ化された映像作品と原作・関連本と読み比べて、オリジナルならではの違いや描かれなかった裏設定、より深い世界観を独自の視点から楽しみましょう。

フォールアウト:ニューベガスパーフェクトガイド

フォールアウト:ニューベガスパーフェクトガイド

フォールアウト3パーフェクトガイド

フォールアウト3パーフェクトガイド

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口コミ

あなたの評価を記録する

Amazon Prime VideoAmazon Prime Video with Ads

キャスト

エラ・パーネル
エラ・パーネル
Lucy MacLean
アーロン・モーテン
アーロン・モーテン
Maximus
モイセス・アリアス
モイセス・アリアス
Norm MacLean
フランシズ・ターナー
フランシズ・ターナー
Barb Howard
カイル・マクラクラン
カイル・マクラクラン
Overseer Hank MacLean
ウォルトン・ゴギンズ
ウォルトン・ゴギンズ
The Ghoul / Cooper Howard

スタッフ・制作会社

監督・制作: グレアム・ワグナー / ジェニーヴァ・ロバートソン=ドウォレット

脚本: Chris Brady-Denton / Chaz Hawkins

音楽: Ramin Djawadi

制作会社: Kilter Films / Bethesda Game Studios / Amazon MGM Studios / Big Indie Pictures

配信サービス

サブスクリプション

Amazon Prime Video
Amazon Prime Video with Ads

TMDB ユーザーのレビュー

MovieGuys
MovieGuys
★ 3

Its starts with "THE END", which is probably advice I should have heeded and walked away then but well, silly me.... In short, cringe-worthy, woke, overdoses on schmaltz to the point of nausea....a lame story doesn't help, either, nor does the strange, contextually confusing, casting choices.... Special effects are reasonable, sets decent and the music is appropriate but beyond that....??? I managed to watch the first episode and that was more than enough.....

ineffable_tmdb
ineffable_tmdb
★ 10

Genuinely great video game adaption that manages to walk the narrow path of capturing the feel of the games (the dark humor), while telling a brand new story that works as a television show and expanding that existing universe. Walton Goggins is perfectly cast as the worldly ghoul, he is really the star of the show. The other two protagonists are well cast as naives sent out in to the wild, untamed wasteland with the best of intentions balancing out the anti-hero ghoul. There's the over-the-top violence of the games, and the weirdness is here too. It captures the heart that the later games tried to bring (it lands better here), with the characters who have complex, interesting (and often secret) motivations. The key themes include the power and greed of corporations (thanks Amazon!), the inevitability of conflict and the dangers of living in a ideological bubble. (The later point obviously lost on the other reviewer here.) That said this isn't aiming to be Oppenheimer. Most of all this show is simply great fun, highly recommended if you are a fan of the game or never played it.

Innovator
Innovator
★ 10

Having played New Vegas and Fallout 4, I'm a huge fan of the Fallout world, so the best thing I could say about this show is that it is Fallout in appearance, tone, and lore. The story is dark, quirky and humorous, taking many twists and turns appropriate to it's source material...basically everything you'd want in any video game adaptation. I loved this season from beginning to the end, and will watch again and continue to watch future seasons (which is guaranteed at this point due to its critical success and that they've just secured 25 million from the California government to make the next season in the state) just as I've played the games over and over again (and will do so until Bethesda releases a new Fallout game).

stev
stev
★ 10

Woke this, woke that. **_Fallout_** might just be the greatest sci-fi horror video game adaptation ever made. From the sets to the scores to the scenery and style, there's a clear love for the source material here that shines through the grisly surface. Ella Purnell, Aaron Moten, and Walton Goggins were a perfect trifecta of leads, and each hold their own weight accordingly, and the combination of their stories is flawless enough to complement an already excellent roster of visual and auditory delights. Top-tier action-apocalypse media that should satisfy fans and newcomers alike, so long as you aren't in it for the wrong reasons. This fits into the franchise as much as any other entry as a standalone series, and has an attention to detail and epic scale, big budget, and high energy that not many works can seem to capture when they go to screen in today's industry. I, for one, am glad this exists. Totally delivered every bit of retro-futuristic dystopian survival drama I needed.

dumasori
dumasori
★ 3

**Extremely Bad** I was recommended by a friend to watch this as a "must-watch," and boy, I fell for his prank. Eight episodes of lengthy, boring, disjointed torture, which leads nowhere. I have never played the game or read the lore; therefore, I am not an OG fan. My view is purely based on these eight episodes of mess. Where to begin? Well, the first episode was boring, but I stayed with the hope that something nice would happen. I wasn’t wrong, as episodes 2 and 3 were really good. They started introducing new characters and developed their personalities. Unfortunately, after that, the writers' and directors' weaknesses started showing up as the story feels really illogical and disjointed. Bad acting, unnecessary and illogical fights. Need not to mention, I hate this new Hollywood trend (especially Marvel) where they play 1960s music and show fight scenes in slow motion. You can like it for once or twice, but this crap has been shoved down the throat in every movie these days. This series was nauseatingly full of such scenes. The storyline is so weak, no one knows why people are doing something? The Garfield-eyed protagonist is very annoying and stupid. She is supposed to be looking for her father, but meanwhile, she seems bubbly and cheerful, literally asking someone to have sex with her, unnecessarily spying on a vault people… why??? As if this was not enough, the series gets worse from episode 4 onwards. But this time all the nuts and bolts of this stupid series start coming off, and no one knows what’s happening. They tried to show unnecessary gore, violence, and disgust to give “shock treatment” to their viewers and get some attention, but after some time, even that feels annoying and boring. I give it 3/10. P.S. My friend is not responding to my texts. He knows what he did. He is so done!

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