FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

FindKeyについてロケ地 (試験中)利用規約プライバシーポリシーお問い合わせ
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THE LAST OF US
THE LAST OF US

THE LAST OF US

2023★ 8.4ドラマ
放送継続中 (Ongoing)

あらすじ

人体に寄生する菌類による感染症が発生。パンデミックから20年が経ち文明崩壊したアメリカでは、生存者による勢力争いが起こっていた。生存者の1人・ジョエルは、「ファイアフライ」の指導者・マーリーンから、身元不明の少女・エリーを隔離地域から脱出させる運び屋を任される。はじめは小さな仕事だったが、やがて壮絶な旅へ発展していき、2人は生き残りを懸け感染者がはびこるアメリカ全土を横断することに…。

作品考察・見どころ

本作が描くのは、極限状態における愛の暴力性という重厚なテーマです。荒廃した世界を背景に、守るべき存在を得た人間がどれほど残酷で、かつ美しい選択を重ねるのか。その葛藤を捉えた映像美と、静寂さえも武器にする緻密な演出が、観る者の倫理観を激しく揺さぶります。 特にベラ・ラムジーら実力派キャストが魅せる、剥き出しの感情表現は圧巻です。本作は映像ドラマの到達点であり、絶望の中で人間として何を繋ぎ止めるべきかを鋭く問いかけます。一度触れれば二度と忘れられない、魂に深く刻まれる傑作と言えるでしょう。

原作・関連書籍

ドラマ・アニメ化された映像作品と原作・関連本と読み比べて、オリジナルならではの違いや描かれなかった裏設定、より深い世界観を独自の視点から楽しみましょう。

The Last of Us: Part I and Part II Scripts

The Last of Us: Part I and Part II Scripts

シーズンとエピソード

口コミ

あなたの評価を記録する

U-NEXTHBO Max on U-Next

キャスト

ベラ・ラムジー
ベラ・ラムジー
Ellie Williams
Gabriel Luna
Gabriel Luna
Tommy Miller
イザベラ・メルセード
イザベラ・メルセード
Dina
Young Mazino
Young Mazino
Jesse

スタッフ・制作会社

監督・制作: Neil Druckmann / Craig Mazin

音楽: David Fleming / Gustavo Santaolalla

制作会社: PlayStation Productions / Sony Pictures Television / Naughty Dog / Word Games / The Mighty Mint / HBO

配信サービス

サブスクリプション

U-NEXT
HBO Max on U-Next

レンタル・購入

Amazon Video

TMDB ユーザーのレビュー

JacobMars
JacobMars
★ 1

Absolute shit, i would rather play the TLOU 2 than watch another minute of this shit, it was nothing to do with the lore or the characters from the games. Comparing this bore-fest of a show to The Last Of Us 1 is like comparing Peter Jackson The Lord Of The Rings Trilogy to Amazons Rings Of Guyladriel.

Manuel São Bento
Manuel São Bento
★ 8

FULL SPOILER-FREE REVIEW OF SEASON ONE @ https://www.msbreviews.com/tv-reviews/the-last-of-us-season-1-review *Based on the full first season handed to press* "The Last of Us is the first live-action videogame adaptation able to finally break the frustrating curse, reaching the so-desired unprecedented level of excellence. Craig Mazin and Neil Druckmann construct a complex character study driven by fascinating protagonists, Joel and Ellie, exploring the grief, traumas, and tragedies of their lives through unimaginable moral dilemmas, emotionally heavy conversations, and devastating moments. Save for rare exceptions, the episodic narrative formula is remarkably efficient, offering a panoply of intriguing characters and outstanding performances - Pedro Pascal and Bella Ramsey clearly stand out from the rest. A more intimate, grounded version of a post-apocalyptic world that doesn't lack gory, violent action/horror sequences. Gustavo Santaolalla's score couldn't be a better fit. If I was already excited to venture into the video game, now I can't wait for that day to come." Rating: A-

MovieGoer223
MovieGoer223
★ 9

No spoilers here. I went into this show cautiously optimistic, after seeing the trailers. I, like so many others, have been burned by horrid video game adaptations ***cough*** "_Halo_" ***cough***. I was incredibly surprised by the first episode. LOVED IT! While yes, the pacing was a bit slower than the game's first few moments, I felt like it was appropriate to set the stage for everything to come later. TLOU is one of my favorite games on the planet, and I am really hard to please when it comes to media. I am the definition of nit-picky when it comes to writing, production, and character development, especially with pre-existing and beloved material. I can say honestly, and without reservation that if the creators put as much attention to detail and fan-oriented storytelling into the later episodes of this season, this could easily be one of the best adaptations of a game, out there. I really can't wait to see what they do with it.

MovieGuys
MovieGuys
★ 1

Why do series feel the need to be woke? I had invested quite a lot of faith in this series until episode 3, which I call 'Gays of our lives". An entire episode about the lives of two beardy, gay blokes, that has next to nothing to do with the overriding story and feels like virtue signalling. I don't mind gay people. I've known a few over the years but what's the need for this? I wasted 20 or so minutes, till I realised this was going to take up the majority of the episode, at which point, I stopped watching. In short, I don't need to be lectured, reformed or informed about alternative life styles. If I did, I'd attend a meeting, join a forum, whatever. And that's the underlying point really. I come to entertainment to be entertained, not lectured. I'm out.

GenerationofSwine
GenerationofSwine
★ 1

It takes it's cues from the controversial second game... where the characters were reshaped to fit the new meh narrative of the meh pro-censorship left. And because of that you have yet another film staring Strong Female Lead, only this time STL is a little girl that knows more and can survive better than the man that is tasked with protecting her who actually survived the end of the world. You really don't need to know the rest it goes just like they all do, narrative above plot, message above characters, "diversity and dinosaurs" The bottom line is that you've seen this before.

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