FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

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地獄の7人
地獄の7人

地獄の7人

19831h 45m★ 6.3ドラマ戦争アクション

あらすじ

ベトナム戦争集結から10年。ローズ大佐は、ベトナムで捕虜になった息子が必ず生きていると信じて、行方を探し続ける。ある日、一枚の航空写真から、息子がラオスの捕虜収容所に居ると推測。大佐はかつての息子の戦友達を集め、捕虜救出作戦を企てる。強い信頼と友情で結ばれた7人の男達が再びベトナムへと向かう。

作品考察・見どころ

本作の核心は、単なる戦争アクションを超えた父子の絆と戦友たちの献身にあります。ジーン・ハックマンが見せる静かな怒りと不屈の闘志は、国家に見捨てられた者たちの魂を代弁しており、その重厚な演技が作品に圧倒的な説得力を与えています。死地へ向かうプロフェッショナルたちの葛藤と信頼の構築は、観る者の胸を熱く焦がします。 見どころは、政治的停滞を個人の意志で突破する圧倒的なカタルシスです。ベトナム戦争の傷跡という重いテーマを扱いながら、失われた時間を取り戻そうとする男たちの純粋な執念が画面から溢れ出しています。絶望を希望へと変えようとする彼らの雄姿は、公開から時を経た今もなお、我々の心に不滅の闘志を刻み込んでくれます。

興行成績

製作費: $11,000,000 (17億円)

興行収入: $30,503,151 (46億円)

推定収支: $19,503,151 (29億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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配信サービス

レンタル・購入

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キャスト

ジーン・ハックマン
ジーン・ハックマン
Col. Cal Rhodes
フレッド・ウォード
フレッド・ウォード
Wilkes
Robert Stack
Robert Stack
MacGregor
Patrick Swayze
Patrick Swayze
Kevin Scott
ハロルド・シルヴェスター
ハロルド・シルヴェスター
Johnson
Randall 'Tex' Cobb
Randall 'Tex' Cobb
Sailor
Tim Thomerson
Tim Thomerson
Charts
劉雅麗
劉雅麗
Lai Fun
Kwan Hi Lim
Kwan Hi Lim
Jiang
No Image
Kelly Junkerman
Paul MacGregor

スタッフ・制作会社

監督: Ted Kotcheff

脚本: Joe Gayton / Wings Hauser

音楽: ジェームズ・ホーナー

制作: John Milius / Ted Kotcheff / Buzz Feitshans

撮影監督: スティーヴン・H・ブラム

制作会社: Paramount Pictures

TMDB ユーザーのレビュー

Lloyd
Lloyd
★ 9

Overall, Uncommon Valor (UV) is a less-flashy atypical Hollywood movie of ex-soldiers being reunited to form a team to rescue Vietnam POWs, using good (but not Oscar quality) humor, and decent near-realistic (but not memorable) special effects to tell a 2-part story of forming a rescue team which then performs their mission. Decades after UV was produced, one could say that it's just another run-of-the-mill movie about rescuing Vietnam POWs; however, this was one of the earlier movies of this genre so I don't think it can be fairly compared with the rest of this ilk. (E.g. Missing In Action was 1985 and the 2nd Rambo movie was 1986.) UV isn't a typical Hollywood attempt at making a blockbuster, yet it did very well in the theater. UV is noteworthy for being more emotional than its brethren; it's not a tear-jerker, nor is it a masterpiece drama since it is a bit light-hearted in many places and uses humor liberally. (The humor isn't comedy per se, I felt that its purpose is to reminder us that the characters are misfits and has-beens, ex-soldiers but not ex-warriors, and they're transitioning from plain vanilla real lives to what's normally reserved for elite teams of soldiers like Delta Force. UV has a charm about it that most others lack. The acting isn't superb, but it's still very good. It doesn't have tons of eye-candy special effects, but it does use them fairly appropriately to enhance the story; I'd even go so far to say that, unlike typical Hollywood movies of today, instead of dialogue and story gluing together a bunch of CGI action scenes, UV takes the opposite approach of using action scenes and humor to glue together the story parts and demonstrate that the characters are a bunch of misfits, aging former soldiers brought together for a rescue mission. Patrick Swayze's character is unique here, really gung ho, kind of a counterpoint to the aging ex-soldiers. The 1st half of UV tells a story of ex-soldiers coming together, overcoming their unique prejudices, and re-learning how to work together as a team. Eventually, they form a fairly effective team and the rescue mission is a Go. The action scenes weren't very realistic, but they were still OK, certainly good at demonstrating how the character steadily became a team. The 2nd half of UV is the rescue mission itself, not really anything spectacular and more typical of a Hollywood film. It's not bad at all, just fairly routine, but done well, nonetheless. The action scenes, in particular, are decent but not eye-popping or noteworthy of realism, yet they're sufficient for the story. (Of course, there are scenes which are a bit over-the-top, maybe worth a half-star ding in the overall rating.) PS This review is based on my having seen UV in the theater when released, augmented by my just having watched it again over 30 years later.

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