FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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Słoń
Słoń

Słoń

20221h 34m★ 6.4ドラマ

あらすじ

No synopsis available.

作品考察・見どころ

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興行成績

製作費: $200,000 (0億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

スタッフ・制作会社

監督: Kamil Krawczycki

脚本: Łukasz Maciejewski / Kamil Krawczycki

音楽: Jan Ignacy Królikowski

制作: Jakub Mroz

撮影監督: Jakub Sztuk

制作会社: Tongariro Releasing

口コミ

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キャスト

Jan Hrynkiewicz
Jan Hrynkiewicz
Bartek
Paweł Tomaszewski
Paweł Tomaszewski
Dawid
Ewa Skibińska
Ewa Skibińska
Bartek's mother
Ewa Kolasińska-Szramel
Ewa Kolasińska-Szramel
Danuta
Wiktoria Filus
Wiktoria Filus
Daria
Michał Pawlik
Michał Pawlik
Marcin
Maciej Kosiacki
Maciej Kosiacki
Daniel
No Image
Halina Jabłonowska
Janina
No Image
Boguslaw Repelewicz
Pawel
No Image
Ireneusz Pastuszak
Dawid's father

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 7

"Bartek" (Jan Hrynkiewicz) is a young lad, pretty stretched, living with his slightly over-bearing mother (Ewa Skibinska) on their struggling farm. His life is pretty mundane until the arrival of "Dawid" (Pawel Tomaszewski). He has returned home after the death of his estranged father, and "Bartek" agrees to meet him at the station. That's their first meeting, but gradually we are exposed to their increasing affection for each other. Each seems to offer the other a sense of hope, of the possibility of escape from the drudgery of a rural Polish existence that is rife with religious intolerance and bigotry - examples of which are soon demonstrated clearly as people around their village begin to realise the boys are not just friends. Director Kamil Krawczycki builds a gentle love story here without straying into cheesy sentimentality. The rather potent foil offered by Skibinska works well as a temper to the boy's own, frequently quite messy, story and also illustrates well the values of family loyalty - even if it might not be her own preferred scenario. Though perhaps a little predictable, it's a well constructed drama with three engaging performances that are well supported by Viktoria Filus's "Daria" as we conclude in a way that I could only describe as, rather sadly, all too realistically. It serves to remind those of us living in Western Europe in 2023 that acceptance of same sex relationships is by no means a universal fact across our part of this continent and is worth ninety minutes of your time just to remind us of what not to take for granted.

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