危険なウィルスが蔓延し、それに感染した人たちは「超人間 (ファージ)」となる。そして彼らと「人間政府」の対立構造が生まれ、激しい闘いが始まる。政府が最終兵器として送り込んだのは9歳の男の子。殺し屋ヴァイオレットは、彼を守るためにたった1人の闘いに身を投じる。
AIが作品の魅力を深く読み解いています
製作費: $30,000,000 (45億円)
興行収入: $31,070,211 (47億円)
推定収支: $1,070,211 (2億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: Kurt Wimmer
脚本: Kurt Wimmer / Monica Sandstede
音楽: クラウス・バデルト
制作: John Baldecchi / T.C. Wang / Tony Mark
撮影監督: アーサー・ウォン
制作会社: Ultravi Productions / Screen Gems / Salon Films
Good watch, could watch again, and can recommend. This is certainly something different. It's a different approach to vampires (hemophages), it's a different approach to sci-fi, and it's a different approach to corporate dystopia. Oddly, the Umbrella Corporation from "Resident Evil" is the closest of which I can think. Milla Jovovich is entirely capable of performing high action sequences, and carrying the movie, which she does wonderfully. I don't doubt that she has some pull in the production process, but the problems in this are mostly the weak character work and the "I have this really cool idea I'd like to do on screen, it'll be totally different than anything else out there." of it all. Some of it (nose plugs) are actively distracting, and other things are just odd choices (squared off sword), while there are cool concepts (dimensionally printed weapons), and scenes that just look cool even if they're not especially practical or sensisble (swords on fire in the dark). My only personal gripes are day walking vampires, weird foley sounds for the guns (most are right, but it is hard to tell on made up guns), and why in the hell people with guns would charge someone instead of firing. I think this movie holds up as good as it did when it was released, and I have a good time re-watching it.
