レジェンド＆バタフライ
"運命が、動き出すー。"
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尾張の織田信長は、格好ばかりで「大うつけ」と呼ばれていた。この男の元に嫁いできたのは、「マムシの娘」と呼ばれる男勝りの美濃の濃姫だった。権威を振りかざし尊大な態度で濃姫を迎える信長と、臆さぬ物言いで信長に対抗する濃姫。敵対する隣国同士の政略結婚という最悪の出会いを果たした二人は、性格も真逆で、お互いを出し抜いて寝首をかこうと一触即発状態、まるで水と油のような関係だった。 そんなある時、強敵・今川義元の大軍が攻めて来る。圧倒的戦力差を前に絶望しかけた信長であったが、彼を奮い立たせたのは、濃姫の言葉であった。二人はともに戦術を練り、激論の末に奇跡的勝利を収める。真っ向から対立していた二人はこの日から次第に強い絆で結ばれ、やがて誰も成し遂げたことのない天下統一へと向かっていくのであった──。
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With two neighbouring kingdom's set for war, their kings decide that the best way forward is for the son of one - "Oda" (Takuya Kimura) to marry the daughter of the other - "Nohime" (Haruka Ayase). Neither are very keen on this arrangement but patrimonial loyalty and all that... An early shoulder massage illustrates really early on that these two are not a marriage made in heaven. Indeed, she proves considerably more adept than him at just about everything and is also unafraid of speaking her mind in front of his nobles - and women, well that just wasn't done! What now ensues does have an element of predictability to it, but this period of 16th century Japanese history is fraught with intrigues, political machinations, duplicity and ambition - and over the next 2¾ hours we have a decently paced unravelling of a generation of dynastic ambitions and manoeuvring that looks good and holds the attention well. Ayase takes the acting plaudits - she delivers well; and the others contribute adequately as the story advances. For me, it was the focus on the internecine society of love and honour your lord whilst you figure out ways to stab him in the back that worked well here. Loads of CGI - well it is 2023, after all, but the costumier and armourer's arts are well represented and the combat scenes spare us the worst excesses of repetition. It's a long slot of your day to commit to on the television, and I wonder if it would look better on a cinema screen, but if it's a genre in which you've an interest, then this is well worth a watch.
