FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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ミュータント・タートルズ
ミュータント・タートルズ

ミュータント・タートルズ

“背負っているのは、 人類の未来。”

20141h 41m★ 5.9サイエンスフィクションアクションアドベンチャーコメディ

あらすじ

ニューヨークで悪事を働く犯罪組織フット団を追っていたテレビレポーターのエイプリル、ある日、強盗に入ったフット団をこらしめる何者かの姿を目撃する。数日後、エイプリルは別の現場でフット団をやっつける何者かに遭遇。撮影に成功するも、そのヒーローたちの正体は人間の言葉を話し、体長180センチもあるカメだった。

作品考察・見どころ

本作の真骨頂は、パフォーマンス・キャプチャがもたらす圧倒的な肉体性と、四兄弟の瑞々しい個性のぶつかり合いにあります。超絶的なアクションの裏側で、彼らが抱える青さやユーモアが巧みに表現されており、巨大な異形でありながら不思議と愛着を抱かせるキャラクター造形は見事です。躍動するカメラワークが、観客を興奮の極致へと誘います。 また、闇に紛れて生きる彼らが家族の絆を武器に正義を貫く姿には、深い自己肯定のメッセージが込められています。単なる娯楽作の枠を超え、自らのアイデンティティを誇りに思う尊さを、情熱的な熱量で描き切った傑作です。スクリーンから溢れ出す、命が吹き込まれた彼らの魂の叫びをぜひ体感してください。

興行成績

製作費: $125,000,000 (188億円)

興行収入: $485,004,754 (728億円)

推定収支: $360,004,754 (540億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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サブスクリプション

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Amazon Prime Video with Ads
TELETOON+ Amazon Channel

レンタル・購入

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キャスト

Pete Ploszek
Pete Ploszek
Leonardo
アラン・リッチソン
アラン・リッチソン
Raphael
Jeremy Howard
Jeremy Howard
Donatello
Noel Fisher
Noel Fisher
Michelangelo
ミーガン・フォックス
ミーガン・フォックス
April O'Neil
ウィル・アーネット
ウィル・アーネット
Vern Fenwick
ウィリアム・フィクナー
ウィリアム・フィクナー
Eric Sacks
Danny Woodburn
Danny Woodburn
Splinter
Johnny Knoxville
Johnny Knoxville
Leonardo (voice)
トニー・シャルーブ
トニー・シャルーブ
Splinter (voice)

スタッフ・制作会社

監督: ジョナサン・リーベスマン

脚本: ジョシュ・アッペルバウム / Evan Daugherty / Peter Laird

音楽: Brian Tyler

制作: マイケル・ベイ / Eric J. Crown / アンドルー・フォーム

撮影監督: Lula Carvalho

制作会社: Nickelodeon Movies / Paramount Pictures / Platinum Dunes / Mirage Studios / Gama Entertainment Partners / Mednick Productions / Heavy Metal

TMDB ユーザーのレビュー

Per Gunnar Jonsson
Per Gunnar Jonsson
★ 5

I have to say that this was a rather “meh” experience. It certainly was not an improvement over the original. Why try to rewrite a story that was actually not bad when you cannot be bothered to spend some effort on it? The new story is sloppy and it is rather clear that whoever wrote it got only two directives: Make sure that Megan Fox gets a lot of focus and if you do not know what to write then cram in some special effects. There are a lot of special effects in this movie! It is obvious that Megan Fox’s ego have had a lot of influence on the movie. To the extent that you might wonder if this movie is about the turtles or about Megan Fox. She might be the wet dream of some less discerning teenagers but her acting skills leaves somewhat to be desired. Okay, okay she was actually not too bad in this movie but then it was not to difficult to shine in this movie either. There are a few moments when it looks like it is going to turn interesting. For instance when the shredder is first introduced and punishes some of his underlings but rather quickly he is reduced to just another “special effect” when they slap this robotic shredder suit onto him. Come on, he is supposed to be a skilled martial arts combatant, not some freak in a robotic suit. Splinter was just sad. Some lab rat that picked up martial arts from a book he found in the sewers! What the f…? That ruined a lot of the movie. The turtles themselves, being already pushed back somewhat into the background by Megan Fox desire to be in front of the cameras most of the time, are bland to say the least. They are immature, even for a movie like this, and the jokes are simply unintelligent and mostly not very funny. I was about to write that, if you like special effects and do not care for much of the rest, then you will probably like this movie but when I think back even the special effects where often only mildly interesting. They were perhaps not really bad but not very impressive either. The truck ride down a snowy slope was just silly and some of the scenes where actually rather underwhelming for instance. On the whole, to me, this was a mildly entertaining movie that could have been much better if someone with basic intelligence had been asked to write the script in the first place. There are actually five (!) people credited with writing this movie and maybe that is the problem. Too many cooks!

r96sk
r96sk
★ 5

Flat, generic, CGI-filled. <em>'Teenage Mutant Ninja Turtles'</em> bored me, unfortunately. I have a slight memory of seeing bits of TMNT when I was younger but never intentionally watched it, though have always been interested in viewing a film with them in. So in that sense, this disappointed. It just has nothing about it, no character or charm whatsoever. No reason to care for any of the onscreen bunch. Very plain. None of the cast stick out, particularly the voices. Megan Fox is probably the best this has to offer, though I didn't mind William Fichtner either... Whoopi Goldberg shows up in an alright minor role too, I guess? I found little to zero of the action scenes entertaining, not helped by some questionable editing and music. Another issue I did also notice is the humour, which falls flat at almost every opportunity - especially with the grating Michelangelo (Noel Fisher). I'll check out the sequel, because I always going to, but I ain't expecting much! This 2014 film isn't worth seeing.

CinemaSerf
CinemaSerf
★ 6

Oh come on, it's not actually that bad! I mean, if we accept from the outset that there's nothing at all original about this apocalyptic "Batman"-style thriller, then we can just get behind our heroes in an half shell and enjoy the ride. Bumpy? Well yes it is. You see, "Shredder" (Tohoru Masamune) and his dastardly "Foot Clan" have taken control of New York City. To make matters worse, "Splinter" has been attacked and he and all but "Raphael" turtle-napped. Now the game is afoot. Rescue them all then with the help of feisty reporter "April" (Megan Fox) and her savvy cameraman "Vern" (Will Arnett) apply their ninja skills and get to grips with the evil that now governs their city. Nothing at all original, no, but there's plenty of action and the odd bit of witty dialogue - usually from "Michaelangelo" - is included as leader "Leo" and the sharpest of the bunch - "Donatello" - have to come up with and execute a cunning plan in the face of seemingly insurmountable odds. Of course there's a message for us too. Some gently moralising stuff about inter-reliance, team building, loyalty - and, of course, there are plenty of sagely interventions from their rattish guru. It was entirely logical for Hollywood to capitalise on these global phenomena and to be fair, though it's pretty poor, it's no worse than a great many derivative efforts that the 2010s CGI factories churned out to keep the production lines in full flow. True fans may get something more from this, but for the rest of us - well it's not really up to much at all.

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