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Louisiana Purchase
Louisiana Purchase

Louisiana Purchase

19411h 38m★ 6.6コメディ音楽

あらすじ

No synopsis available.

作品考察・見どころ

AIが作品の魅力を深く読み解いています

スタッフ・制作会社

監督: Irving Cummings

脚本: Jerome Chodorov / Joseph Fields / Buddy G. DeSylva

撮影監督: Ray Rennahan / Harry Hallenberger

制作会社: Paramount Pictures

口コミ

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キャスト

Bob Hope
Bob Hope
Jim Taylor
Vera Zorina
Vera Zorina
Marina Von Minden
Victor Moore
Victor Moore
Sen. Oliver P. Loganberry
Irène Bordoni
Irène Bordoni
Madame Yvonne Bordelaise
Dona Drake
Dona Drake
Beatrice
Raymond Walburn
Raymond Walburn
Col. Davis Sr. aka Polar Bear
Maxie Rosenbloom
Maxie Rosenbloom
The Shadow aka Wilson
Phyllis Ruth
Phyllis Ruth
Emmy Lou
Frank Albertson
Frank Albertson
Robert Davis, Jr.
Donald MacBride
Donald MacBride
Capt. Pierre Whitfield

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 6

This starts off with quite a fun little ditty that serves as their libel/defamation disclaimer - proclaiming that none of this is based on any real people! Who might have taken offence in the US of A in 1941 to the idea of a senate investigation into the dodgy goings on in any state at all, let alone Louisiana? Well it appears that the imminent arrival of the tee-total “Sen. Loganberry” (Victor Moore) has set the cat amongst the pigeons, and talking of pigeons it looks like “Taylor” (Bob Hope) is going to become exactly that. The great and the good of his state have been merrily creaming off the top for years, but any evidence of their miscreant behaviour will stop firmly with this poor patsy. Facing a million years in jail, the bosses encourage him to find a way to leverage their inscrutable visitor and so he’d better get his thinking cap on. What now ensues sees Hope (well two of him quite often) and his friend “Marina” (Vera Zorina) try to embroil the man in all sorts of compromising scenarios. Of course, as things mosey on along there are a few romantic opportunities with Irène Bordoni making up this quartet of mischief and mayhem. It’s based on the stage play with a few Irving Berlin numbers - notably “You’re Lonely and I’m Lonely? - amongst it, and though it does drag a little as the joke borders the slapstick too closely for my liking, it does show Hope in a slightly less hapless light, Moore delivers engagingly and there’s been a little thought gone into the plot to keep it from farce. It’s a colourful and lively production and might well do wonders for the sale of oysters in Nebraska.

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