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The Book of Clarence
The Book of Clarence

The Book of Clarence

20242h 9m★ 5.9アドベンチャーコメディドラマ
Netflix

あらすじ

No synopsis available.

作品考察・見どころ

本作は聖書時代の物語に現代的なブラックカルチャーの感性を融合させた、独創的な野心作です。ジェイムズ・サミュエル監督による演出は、歴史劇の枠組みを解体し、スタイリッシュな映像美と魂を揺さぶるグルーヴによって、観客の既成概念を鮮やかに覆して見せます。 主演のラキース・スタンフィールドは、虚飾と真実の間で揺れる人間性の機微を見事に体現しています。信仰の本質とは何か、己の生を肯定する意志の中にこそ奇跡が宿るという力強いメッセージは、痛快な娯楽作でありながら、鑑賞後に深い哲学を突きつける比類なき魅力を放っています。

興行成績

製作費: $40,000,000 (60億円)

興行収入: $6,205,230 (9億円)

推定収支: $-33,794,770 (-51億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

LaKeith Stanfield
LaKeith Stanfield
Clarence/Thomas
Omar Sy
Omar Sy
Barabbas
RJ Cyler
RJ Cyler
Elijah
デヴィッド・オイェロウォ
デヴィッド・オイェロウォ
John the Baptist
アルフレ・ウッダード
アルフレ・ウッダード
Mother Mary
テヤナ・テイラー
テヤナ・テイラー
Mary Magdalene
ケイレブ・マクラフリン
ケイレブ・マクラフリン
Zeke
ジェームズ・マカヴォイ
ジェームズ・マカヴォイ
Pontius Pilate
ベネディクト・カンバーバッチ
ベネディクト・カンバーバッチ
Benjamin
Anna Diop
Anna Diop
Varinia

スタッフ・制作会社

監督: Jeymes Samuel

脚本: Jeymes Samuel

音楽: Jeymes Samuel

制作: Tendo Nagenda / Jeymes Samuel / ジェイ・Z

撮影監督: ロブ・ハーディ

制作会社: Legendary Pictures / Kilburn Lane

TMDB ユーザーのレビュー

Manuel São Bento
Manuel São Bento
★ 7

FULL SPOILER-FREE REVIEW @ https://fandomwire.com/the-book-of-clarence-bfi-london-film-festival-review-hilarious-thought-provoking-biblical-satire/ "The Book of Clarence certifies Jeymes Samuel as a do-it-all in filmmaking. Whether through his stylized direction, thought-provoking satirical screenplay, or bold soundtrack, the filmmaker once again delivers a highly original, genuinely hilarious blend of genres and tones, and a captivating spiritual exploration of the protagonist. Fortunate as well to have an absolutely superb cast with LaKeith Stanfield commanding the troops, delivering an impressively all-round performance. It lacks better tonal balance and more unpredictability, the latter being destroyed by an unnecessary opening sequence. Glad to know it will be released on the big screen, which is where I definitely recommend everyone to go and experience this piece of guaranteed entertainment." Rating: B+

BornKnight
BornKnight
★ 6

If you watched and know the style of Jeymes Samuel as writer and director you know what to expect (The Harder they Fall, They Die by Down). It tells the story of a man that is a con artist that aims to be a new Messiah, in the age of Jesus (and alongside him - 3 days behind), but not a classical Jesus or a new correct etiology one, but one in a black Jerusalem. It have some interesting messages more to end, shows Romans as the whites, and do not mention proper Jews - it also doesn't choose to what it aims as a movie, comedy or drama putting some comic sequences and references of Marijuana (that was used already in that time, a certain thing, accidental or not). LaKeith Stanfield is the star of the movie and does well his role and multiplicity of his character. But this isn't enough to make this a good movie. To me a score of 6.0 out of 10.0 / B-, almost C+.

CinemaSerf
CinemaSerf
★ 6

"Clarence" (LaKeith Stanfield) and brother "Elijah" (RJ Cyler) come off worst in a chariot race with Mary Magdalene (Teyana Taylor) and that lets us know that he is now in hock to the nasty "Jedediah the Terrible" (Eric Kofi Abrefa) for a great deal of money. It quite literally is his money or his life. He has a relationship, of sorts, with "Varinia" who might be able to intercede with her menacing brother on his behalf, but meantime "Clarence" hits on an idea of his own. He is aware of the buzz in the community around the impending arrival of the Messiah, indeed his twin brother "Thomas" is an apostle (with a silent t). How hard can it be to fake some tricks to convince the gullible population that he can cure the sick or raise the dead? Up until now, this all has a rather "Monty Python" meets "Ben Hur" feel to it. It's amiable and well enough paced. Sadly, though, slightly more sincere and half-baked religious elements begin to kick in to the characters a little too earnestly, and the comedic elements are increasingly supplanted by a rather bitty narrative that sees the hitherto quite entertaining "Clarence" begin to take himself just a little too seriously and the entire enterprise stalls. Omar Sy delivers well as Barabbas - though I think maybe he ought to have been called Achilles; Benedict Cumberbatch looks more like Robert Powell than he does and the best scene by far comes from Alfre Woodard's lively interpretation of the Virgin Mary. It has it's moments, but is a bit of a mess of a film that starts off engagingly but is far too long and just sort of peters out.

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