FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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アンダー・ザ・スキン 種の捕食
アンダー・ザ・スキン 種の捕食

アンダー・ザ・スキン 種の捕食

20141h 48m★ 6.1スリラーサイエンスフィクションドラマ

あらすじ

真夜中の街で妖艶な美女が、道行く男たちに声をかけては闇に消えていく。一枚ずつ服を脱ぎながら誘う美女。男たちは彼女の正体に気づかないまま、飲み込まれ、そして姿も形も無く、衣服だけが残される。謎の美女の正体は、地球外生命体だった。慈悲のかけらも無く男を捕食し続けていた彼女だが、ある事がきっかけで人間的な感情を持ち始めるのだった。それは、さらなる恐るべき惨劇の始まりでもあった...。

作品考察・見どころ

ジョナサン・グレイザー監督が描くのは、圧倒的な「異物感」と「静寂の恐怖」です。スカーレット・ヨハンソンが、無機質な捕食者から次第に人間的な感情へと侵食されていく過程を、台詞を削ぎ落とした身体表現のみで体現しており、その眼差しに宿る孤独は観る者の魂を射抜きます。隠しカメラを多用したドキュメンタリー的手法と、悪夢のような漆黒の空間美が融合し、観客を未知の感覚領域へと引きずり込みます。 本作はミシェル・フェイバーの原作が持つ緻密な設定や社会風刺をあえて排除し、映像でしか到達できない抽象表現へと昇華させました。説明を排したことで、異星人の視点を通した「人間社会の異様さ」がより鮮明に浮き彫りになります。不協和音を奏でる音楽と共鳴し、皮膚の内側に潜む自己という不確かな存在を突きつける、極限の映画体験と言えるでしょう。

興行成績

製作費: $13,300,000 (20億円)

興行収入: $7,229,933 (11億円)

推定収支: $-6,070,067 (-9億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

スカーレット・ヨハンソン
スカーレット・ヨハンソン
Jeremy McWilliams
Jeremy McWilliams
Lynsey Taylor Mackay
Lynsey Taylor Mackay
No Image
Dougie McConnell
No Image
Kevin McAlinden
No Image
D. Meade
No Image
Andrew Gorman
No Image
Joe Szula
Kryštof Hádek
Kryštof Hádek
No Image
Roy Armstrong

スタッフ・制作会社

監督: ジョナサン・グレイザー

脚本: Walter Campbell / Michel Faber / ジョナサン・グレイザー

音楽: ミカ・レヴィ

制作: Nick Wechsler / ジェームズ・ウィルソン / Ian Hutchinson

撮影監督: Daniel Landin

制作会社: Film4 Productions / BFI / Nick Wechsler Productions / JW Films / Sigma Films / Silver Reel / Creative Scotland / Seventh Kingdom Productions

TMDB ユーザーのレビュー

Andres Gomez
Andres Gomez
★ 6

Johansson makes a great performance in an unlikely role, adding great sensuality to the film, even with her very different looking. The story and movie on itself is a rarety. Very fresh but, also, kind of an unfinished joke.

talisencrw
talisencrw
★ 9

This was a very bizarre and unique viewing experience for me. I greatly enjoy cinematic puzzles, and directors who have the wherewithal, guts and personal integrity to stick to their guns and project their distinct visions without caving in to corporate pressure or normal sensibilities. It is work like this at the cinematic vanguard that makes cinema the most aesthetic of all art forms and the greatest and most intrinsically satisfying component of my life. Though I have Glazer's previous two films, I have sadly not seen them yet, a condition I hope to remedy as soon as possible. A woman and actress of Johansson's beauty is perhaps one of only a select few currently out there who could pull this sort of thing off. And yes, this would make a remarkable double bill with 'The Man Who Fell to Earth'.

Reno
Reno
★ 6

**The lady from the white van.** First of all, this is not an entertaining film, but an alien theme on a fictional plot like how they would come live among us. Before that, they need to look like us, so they steal human skins and that's what this film is about. Most of the film was in a van driving around in the Scottland. An alien disguised as a human, looking for the single men in the uncrowded places to seduce and steal their skins. But one day after got curious about being a human being, her routine work gets affected seriously and so what happens to her after is told in the remaining film. It's certainly not the film I was looking for. That's the reason I did not watch it when it got out. But I kind of liked it, it was not as boring as the others advised me. Usually films are for pleasure and timepass and this film did not have those qualities. Hence it financially failed. Surely some people would enjoy it, particularly the critics praised it which is unusual. From the director of 'Birth', Scarlett Johansson in the lead and she was the only good thing in it. The story was a little complicated, so not everybody going the get it, not at the first glance, but if you do, you will enjoy it. The locations were awesome. Watching it on the cold stormy day brought me that original Scottish atmosphere here. I should have rated it better, but no regret for what I gave for it. Its not a suggestible kind, though worth a watch if you're fed up with the regular commercial films. _6/10_

larz9
larz9
★ 1

A total artistic wank piece. The plot moves at a glacial speed, thanks to all the filler in it. Sure, it's about a curious alien living among humans and consuming them in some mysterious black fluid that only said alien can walk on. Other than that, it is absolutely boring as hell and totally lacking in any amount of entertainment. The cinematography itself is great though only in some limited moments. I have a thing for beautiful landscapes but let's be realistic, I watch National Geographic and BBC documentaries for that. Otherwise, a lengthy look out in thick white fog from within a motor vehicle is not my idea of an entertaining nor intriguing scene. In short. Absolute rubbish. After the first five minutes, I realised the glacial pace of this film and watched it at 8x playback speed to try and find some semblance of a climax. Nup, nothing. Don't waste your time. It failed financially and if you dare to still watch it, you will realise why.

CinemaSerf
CinemaSerf
★ 7

Well hats off to Scarlett Johansson for agreeing to come filming in a wet and wintry Glasgow for this quite intriguing sci-fi drama. She drives around the city in her van, ostensibly on the prowl for horny young men looking for a quickie. Back at her's, though - and that's not always the same place - they find themselves in all together different sticky situation. There's no violence, or brutality - just a gentle, I suppose drowning, sensation. What is going on? Does she even know? Things begin to change after a trip to the forest that she encounters a gamekeeper who is more used to setting the pace rather than following. His attempt to rape her in the woods seems to act as a catalyst and... Now there is a conundrum here. Is her behaviour changing because of her human interaction, or is it the very nature of that interaction that is feeding her needs? Well that's a question that dogs this quite artistically filmed, large dialogue-free, mystery and maybe there just isn't an answer. It is fun to see a woman doing the predatory work here - her charms equally effective on even the chavviest of Glaswegians, and what I liked about the end is that I still didn't know. It's an odd film, this - enjoyable isn't quite the word, but it is certainly unusual.

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