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ブラック・ダリア

ブラック・ダリア

20062h 1m5.6犯罪スリラードラマ

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Overview

1947年、LAで女優志望の若い女性が真っ二つの惨殺体で発見され、結局そのまま迷宮入りした、アメリカ犯罪史上に名高い<ブラック・ダリア事件>。10歳のとき、母親を何者かに惨殺され、やはり事件が未解決に終わるという衝撃的体験を持つ作家エルロイが、自らのトラウマを重ね合わせるようにして前者の事件の顛末を切迫したタッチで綴り、絶賛を博した傑作小説を、B・デ・パルマ監督が濃密なタッチで映画化。 LA市警の2人の警官、バッキーとリーは、かつてボクサーだった過去の経歴を買われて引き立てられるようになり、以後、彼らはLA市警の特捜課で息の合ったコンビとして活躍。リーの同居相手の恋人ケイも交えて、3人は絶えず一緒に行動し、いつしかバッキーはケイに対し、単なる友情を超えた感情を抱いて心の葛藤を覚えるようになっていた。そんなある日、身体を腰から切断されたエリザベスという名の女優志願の若い女性の惨殺体がダウンタウンの空き地で発見された。若き2人の刑事は事件の捜査に乗り出すが…。

製作費: $50,000,000 (75億円)

興行収入: $49,332,692 (74億円)

純利益: $-667,308 (-1億円)

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TMDB ユーザーの口コミ

John Chard
John Chard
7

I have been pointing my gun at a lot of people this week. A box office failure and a neo-noir film that confounded critics and fans alike, The Black Dahlia now appears to be a pic that has had its strengths ignored. As the clamour to kick Brian De Palma continues unabated to this day, and the point blank refusal to accept that Josh Hartnett is a better actor than the likes of Pearl Harbor suggests, it's a film worthy of a revisit by genre/style fans alike. Plot revolves around the infamous murder of one Elizabeth Short in Hollywood, 1947. An aspiring actress who was found butchered and her murder to this day remains unsolved. De Palma and his writer Josh Friedman adapt from noir legend James Ellroy's novel of the same name, the crux of the story is about two hot-to-trot detectives who get involved in the Short case, and pretty soon there is a can of worms that has been shaken and opened, and there's dizzying worms everywhere - we think? De Palma loves noir, he has dabbled with it for a long time, not all of it works, but often he delivers for like minded cinephiles. With expectation levels high and following in the slipstream of the critical darling that was L.A. Confidential, Black Dahlia never really had a hope of achieving its lofty ambitions, yet it's a tremendously realised picture from a noir stand point. Whilst it showcases the technical wizardry of the director. The charges of it being convoluted are fair, it's a spinning narrative, stories within stories, characterisations obtuse, but so was The Big Sleep! I know, I know, this is not fit to lace the boots of Hawks' genius movie, but tricksy narratives have always been a fundamental part of many a film noir, so why the distaste for this one? Especially since the period design, costuming, styling, photography and characterisations are so rich in detail? For instance Hartnett's detective is gumshoe nirvana, while Scarlett Johansson and Hilary Swank fatale the femme with mischievous glee. But of course De Palma then spells it out for the finale, explaining things, a sort of macabre wrap up for those that needed it. Either way he was never going to win, it's too complex, it didn't need spelling out, while Mr. De Palma we have to tell you that your characters have been too cold, we don't feel them?! Huh? This is noirville, a place frequented by bad people, idiots and hapless dreamers, of dupes and double crossers. Hell there's even a suggestion of necrophiliac tendencies in this, and that's before we even delve into the machinations of the two femme fatales, a family that's lacking Adams Family Values and coppers of dubious motives. Yeah, it's cold, and yes De Palma is guilty of trying to please all parties by covering all bases, but it's far from being a stinker. Haters of De Palma, Hartnett and complex noir narratives can knock two points off of my own personal rating, otherwise it's 7/10.

GenerationofSwine
GenerationofSwine
10

OK, I'm in the minority here, but I liked it. I also like period pieces and I like this period, so...this might be a bit bias. But it has Scarlett Johansson in it and she is always watchable even when she is at her worst. And it has Josh Hartnett and I really do like him as well, and I like him in the sort of William Holden sort of he tends to do well when he does a voice over kind of way. Except he isn't dead in a swimming pool at the start of the film. However, Mia Kirshner is certainly dead at the start of the film and she's one of those actors that usually does a great job despite being constantly over-looked. What you have is a film VAGUELY about The Black Dahlia, VAGUELY about a couple of buddy cops with a secrete, VAGUELY about a love triangle, and VAGUELY about the period....and that is why it didn't sit well with so many people. It was Vaguely about a lot of things and never exactly about any of them. However, there is enough mystery to it to hold my attention, enough style to make it cool and fun, and good enough acting to make it believable. In other words, it still entertains despite the mess. Because of that, 10 out of 10, there is a lot wrong with the film, but ultimately it achieves its goal.

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