“今！バイオレンス・ヒーロー誕生 もう許せない 今！恐怖の暴力に復讐の戦いが始まる”
舞台は近未来。凶悪化する暴走族の犯罪が問題となり警察も武装化が進んでいた。特殊警察「M.F.P.（Main Force Patrol）」の所属警官マックス・ロカタンスキーはある日追跡中の暴走族ナイトライダーを追い詰め事故死させてしまう。これが元でトーカッター率いるグループのターゲットとして狙われてしまう。親友グースや家族までもを無残な殺され方をされ、全てを奪われたマックスの復讐が今始まる。
映画化された原作や関連書籍を読んで、映像との違いや独自の世界観を楽しみましょう。
製作費: $350,000 (1億円)
興行収入: $100,000,000 (150億円)
推定収支: $99,650,000 (149億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: ジョージ・ミラー
脚本: ジョージ・ミラー / James McCausland / Byron Kennedy
音楽: Brian May
制作: Byron Kennedy
撮影監督: David Eggby
Low budget classic that is now a genre landmark. Set somewhere in the future we are privy to a world where the roads are ruled by maniac gangs with souped up cars, and bikers that literally could come from hell. Trying to stop these marauding loons are the overstretched police force who themselves ride in exceptionally fast cars. At the front of this story is Max Rockatansky, a good honest cop trying to hold his own against the chaotic world that is forming around him. After his best friend is burned and left for dead he decides enough is enough and thinks about retiring from the service, but whilst on a vacation with his wife and child things go decidedly bad and Max becomes an avenging force of fury with devastating affect. When evaluating this film I feel it really needs to be put into perspective just how brilliant a job director George Miller did with next to no cash to work with, in fact Miller edited the film in his own bedroom just to emphasise the low-fi nature of the beast. The costumes are excellent, the cast are terrific, with Mel Gibson as Max particularly impressive, and here we have villains to truly fit the word villainous, but it's the stunts and chase sequences that makes this film a rich rewarding experience. The opening ten minutes alone are pure adrenalin pumping genius, but the film as a whole delivers a crash bang wallop punch that has often been imitated since its release, but rarely bettered, and although the heart of the film is a simple revenge story, it grabs your attention and delivers right to the corking finale, 8/10. Footnote: Region 2 Users should note that the bargain bucket Mad Max Trilogy flip pack set still contains the foolishly dubbed version of this film, incredibly stupid move from the American distributors.
Though I had only seen the previous installment, 'Mad Max Beyond Thunderdome', which I enjoyed whilst a great many people didn't, with the present sequel earning ten (!?) Oscar nominations, I wanted to catch up on things before seeing the new film at the Cineplex. I was very pleased with this early film in the post-apocalyptic movie category, and can see how and why both it and star Mel Gibson became so successful. Other than Kenneth Anger's experimental film, 'Scorpio Rising', I have never seen a work that so fetishes both cars and the ritual of dressing, either for driving or for war. It's very well directed and suspenseful for a first-timer in Miller, and I'm so glad he's still helming the films of the series 36 years later! All that one has to do to see How To and How Not To Continue a Fine Franchise is compare how both George Miller and George Lucas have done this century. It's sad that they were so short on funds that only Gibson could be fitted with real leather in the film--I think I can rightly assume that money isn't a problem anymore...
Who'd have thought we'd still be talking about a $350,000 film, 40 years after it was made? And who'd have thought it would be in a positive way. _Mad Max_ was one of the most formative films ever released, and not only is **one of** my favourite films, but is chief inspiration to my **actual** favourite film of all time, Neil Marshall's _Doomsday_. _Final rating:★★★★½ - Ridiculously strong appeal. I can’t stop thinking about it._
For whatever reason, never had seen the original and doesn't disappoint, some good action and gut wrenching scenes defying the rules of killing pets and kids, Mel Gibson is quite good in the role and look forward to checking out the sequels. **3.75/5**
It's not often that these dystopian scenarios ever leave the USA, so it's interesting that this one introduces us to the massive expanse of the Australian desert and to the young policeman "Max" (Mel Gibson). His job is pretty thankless - and perilous. He must patrol the remote countryside trying to protect what is left of civilisation from marauding motor cycle gangs who are constantly on the search for fuel - for themselves and for their machines. Things start to boil over when ruthless biker "Toe-cutter" (Hugh Keays-Byrne) avenges the death of his leader by killing just about everyone he can find - including the wife and child of the now incandescent "Max". What now ensues is a grittily told, quickly paced, tale of violence and vengeance with the erstwhile law officer abandoning any sense of decency he had clung onto and going all out to destroy his enemy. This film ought to be remembered for what it spawned, rather than what it offers by itself. Most of the acting is mediocre, as is the dialogue and after a while the brutality started, for me anyway, to lose potency and become almost comedic. This is certainly ninety minutes of cinema history, but it's really not very good.
