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War Pony
War Pony

War Pony

20231h 54m★ 6.3ドラマ

あらすじ

No synopsis available.

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Jojo Bapteise Whiting
Jojo Bapteise Whiting
Bill
LaDainian Crazy Thunder
LaDainian Crazy Thunder
Matho
Robert Stover
Robert Stover
Colton
Ashley Shelton
Ashley Shelton
Allison
No Image
Iona Red Bear
Auntie
No Image
Ta-Yamni Long Black Cat
Donny
No Image
Wilma Colhof
Mama
No Image
Jeremy Corbin Cottier
Baby Worm
No Image
Woodrow Lone Elk
Elias
No Image
Sprague Hollander
Tim

スタッフ・制作会社

監督: Gina Gammell / ライリー・キーオ

脚本: Gina Gammell / Franklin Sioux Bob / Bill Reddy

音楽: Christopher Stracey / Mato Wayuhi

制作: Valerie Steinberg / Michael Clofine / Elaine Thomas

撮影監督: David Gallego

制作会社: Felix Culpa / Protagonist Pictures / Quickfire Films / Ward Four / Kaleidoscope Pictures / Caviar / Couscous Films

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 6

This starts off as quite an interesting observation of two young men growing up on the Pine Ridge reservation for the Oglala Lakota tribe in rural Dakota. It principally centres on the young "Bill" (JoJo Bapteise Whiting) who is juggling two girlfriends, two young children, and aspirations to buy and breed a rather mangy looking poodle! When he happens by a successful farmer whose car has broken down by the side of the road, he sees a way to make some extra cash. The two men click and pretty soon "Bill" is packaging turkey jerky by the bucketload! Meantime, the younger "Matho" (LaDainian Crazy Thunder) has been thrown out of his father's home after he and his pals compromised his cocaine business by adding a little epsom salts to their distribution network! Both stories see the men and their friends and families trying to get by in a community that seems to exist for the sake of it. Poodles notwithstanding, there seems little structure to their lives nor much point to anything. Opportunities are sparse and family loyalties only appear to endure when convenient. It's actually quite a depressing story that I couldn't help wonder might not have been worthy of watching at all, had it not been for the native American aspects to the production and plot. Despite that increasingly prevailing downbeat theme, there is something likeable about Whiting's characterisation of the wayward "Bill" - a man who does seem to at least want to escape the relentlessness of their existence. The ending is weak, though, and frankly really quite daft and as an whole, the film does drag a bit across the two hours of rather soporifically scored, slowly paced, drama. It's worth a watch, but it's not great.

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