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AIが作品の魅力を深く読み解いています
映画化された原作や関連書籍を読んで、映像との違いや独自の世界観を楽しみましょう。
製作費: $37,315,205 (56億円)
興行収入: $36,010,728 (54億円)
推定収支: $-1,304,477 (-2億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: ジル・ルルーシュ
脚本: Neville Thompson / ジル・ルルーシュ / Ahmed Hamidi
音楽: Jon Brion
制作: Hugo Sélignac / Alain Attal
撮影監督: Laurent Tangy
制作会社: Trésor Films / Chi-Fou-Mi Productions / StudioCanal / Cool Industrie / France 2 Cinéma / Artémis Productions / Proximus / VOO & Be tv / Pictanovo
“Clotaire” (Malik Frikah) is the school wide boy who meets his match in the younger “Jacqueline” (Mallory Wanecque) and despite their coming from opposite sides of the tracks, they start to bond. He becomes besotted with her, but rather than buy her her favourite “The Cure” album, he pinches it for her, and that’s just the latest example of his petty criminality that ultimately ends up with him spending ten years incarcerated. When he (now François Civil) comes out of prison, he goes back to his old stomping grounds to get paid and perhaps to hook back up with her, but he finds that nothing he left behind is as it seems and with violence never far from him he knows that change is the only way he can perhaps be reconciled with a “Jackie” (now Adèle Exarchopoulos) who has had not had her own troubles to seek since he went away. She is now living with her boss “Jeffrey” (Vincent Lacoste) but fairly clearly for convenience rather than affection. Can there be a future for the childhood sweethearts? This is a tightly cast and gritty action drama that does follow quite a predictable story arc, but it also does benefit from four really quite impressive performances as it combines the throes of young love with the conflict brought by the sense of the hopeless felt by “Clotaire” as he starts to take the only path he feels is open to him. There isn’t so much dialogue with this, which I think helps, and the 1980s soundtrack also helps give us a sense of their occasion as they mature at different speeds and in wholly different ways. It’s a film that’s about characters rather than their scenario, and though I can’t say I especially enjoyed the fizzling out at the denouement, it’s a solid feature that is worth a watch.
