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Tótem
Tótem

Tótem

20231h 35m★ 6.8ドラマ

あらすじ

No synopsis available.

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興行成績

興行収入: $163,399 (0億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

Naíma Sentíes
Naíma Sentíes
Sol
Montserrat Marañon
Montserrat Marañon
Nuri
Marisol Gasé
Marisol Gasé
Alejandra
Saori Gurza
Saori Gurza
Esther
Mateo García Elizondo
Mateo García Elizondo
Tonatiuh
Teresa Sánchez
Teresa Sánchez
Cruz
Iazua Larios
Iazua Larios
Lucía
Alberto Amador
Alberto Amador
Roberto
Juan Francisco Maldonado
Juan Francisco Maldonado
Napo
No Image
Marisela Villaruel
Lúdica

スタッフ・制作会社

監督: Lila Avilés

脚本: Lila Avilés

音楽: Thomas Becka

制作: Siobhan Flynn / サルマ・ハエック・ピノー / José Tamez

撮影監督: Diego Tenorio

制作会社: Limerencia Films / Paloma Productions / Alpha Violet Production / Laterna Film

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 7

I'm not usually fan of children in films, but boy - Naíma Sentíes' performance here as the young "Sol" is terrific. She, replete with multicoloured curly wig is with her mother preparing for a party to celebrate her father's birthday. What we learn from very early on is that her dad "Tona" (Mateo Garcia) is very unwell. Indeed, from the brief scene we see of him in the shower - this is a twenty-seven year old not destined to survive much longer. Clearly that information is known amongst the man's family and friends with his sisters, and his father, taking quite distinctly differing approaches to dealing with their impeding loss. The story takes it's time, but it's never dull. The observational nature of the drama, and the hugely charismatic effort from the young Sentíes is enthralling to watch as their day continues revealing stresses, strops, strains and a slightly defiant degree of optimism. As ensemble performances go, Marisol Gasé, Montserrat Marañon and Teresa Sánchez ensure that this well cast and presented story of a family in distress works evocatively. There are few tantrums, just a stoicism and dignity that makes this really quite a poignant story of a young girl - and a family - that doesn't quite appreciate that life is soon to change for ever.

Brent Marchant
Brent Marchant
★ 8

The everyday lives of average individuals ordinarily might not make for especially engaging storytelling. However, when they’re framed within the context of extraordinary circumstances, they take on an added new dimension, as witnessed in the second offering from Mexican writer-director Lila Avilés. This warm, heartfelt, bittersweet comedy-drama tells the endearing story of a family hosting a birthday party for Tona, a young, beloved painter battling advanced cancer (Mateo Garcia Elizondo), told largely through the perspective of his seven-year-old daughter, Sol (Naíma Sentíes), who hopes against hope for her father’s recovery. As events play out, viewers watch as Tona’s family makes preparations for the celebration – often involving simple tasks told with delightfully funny twists that provide much-needed comic relief – as well as the various means with which his relatives are dealing (or not dealing) with an apparently impending inevitability that no one really wants to address or discuss. Yet what might seem destined to be an exercise in forced festivities with an underlying sense of morbidity turns out to be a loving, earnest celebration of life, despite the undeniable presence of an unwanted, intangible “guest” lingering in the background. While the film incorporates a few sequences that are inherently a little too incidental in nature compared to the larger overall narrative, “Tótem” nevertheless serves up a charming, touching, authentically presented tale that reaches out to audiences and surrounds them with sincere, loving feelings and a big, well-earned hug. This National Board of Review winner and Independent Spirit Award nominee is a fine, little-known indie gem that will surely move you, even if it leaves you with uncomfortably mixed feelings as its story unfolds. It effectively illustrates that there indeed can be times of boundless, overwhelming joy even in the face of overwhelming lament but that what ultimately matters most is what we make of these circumstances when they play out, especially when it comes to expressing how we feel for those whom we truly care about most.

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