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Gunfight at Comanche Creek
Gunfight at Comanche Creek

Gunfight at Comanche Creek

19631h 30m★ 5.8西洋

あらすじ

No synopsis available.

作品考察・見どころ

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スタッフ・制作会社

監督: Frank McDonald

脚本: Edward Bernds

音楽: Marlin Skiles

制作: Ben Schwalb

撮影監督: Joseph F. Biroc

制作会社: Allied Artists Pictures / Allied Artists

口コミ

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キャスト

Audie Murphy
Audie Murphy
Bob 'Gif' Gifford aka Judd Tanner
DeForest Kelley
DeForest Kelley
Amos Troop
Ben Cooper
Ben Cooper
Bill 'Kid' Carter
Colleen Miller
Colleen Miller
Abbie Stevens
Jan Merlin
Jan Merlin
Nielson
Adam Williams
Adam Williams
Jed Hayden
Susan Seaforth Hayes
Susan Seaforth Hayes
Janie
Mort Mills
Mort Mills
Ben Bayer
John Milford
John Milford
Bill Peters
No Image
Michael T. Mikler
Deputy

TMDB ユーザーのレビュー

John Chard
John Chard
★ 7

Where he was going he'd be an outlaw or a corpse. Gunfight at Comanche Creek is directed by Frank McDonald and written by Edward Bernds. It stars Audie Murphy, Ben Cooper, Colleen Miller, DeForest Kelley and Jan Merlin. A Panavision/De Luxe Color production with cinematography by Joseph Biroc and music by Marlin Skiles. Murphy stars as an agent for the National Detective Agency who goes undercover to find the outlaw gang that has been breaking convicts out of jail to help them to commit more crimes. The resulting crimes cause the bounties upon the fugitives' heads to rise, thus the outlaws then kill the convicts and claim the rewards. Apparently a remake of 1957 film The Last of the Badmen, Gunfight at Comanche Creek is a suspenseful and entertaining blend of detective shenanigans with Western staples. It's an interesting role for Murphy, playing Bob Gifford (AKA: Judd Tanner) as a fearless ladies man having to just use his wits instead of guns just to survive the undercover operation. It's not exactly what you would call a high energy action movie, since we don't really get the pulse raised until the finale, but there's enough twists and intelligence in the plotting to keep the story intriguing. Negatives? There's a continuous narration by an uncredited Reed Hadley which is most intrusive. Instead of letting us be involved fully with the unfolding story, the makers felt the need to have Reed fill us in on what is happening at every turn in the plot! Clearly they were going for a hard-boiled detective angle, but it's misplaced. While Miller is saddled with one of those token female roles. But the support cast do what is required to make the film work, Murphy delivers a good one for his fans and Biroc's colour photography is very easy on the eye. 7/10

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