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Merchant Ivory
Merchant Ivory

Merchant Ivory

20241h 51m★ 7.7ドキュメンタリー

あらすじ

No synopsis available.

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興行成績

製作費: $600,000 (1億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

スタッフ・制作会社

監督: Stephen Soucy

脚本: Stephen Soucy

音楽: Ryan Homsey

制作: James Ivory / Stephen Soucy / Jon Hart

制作会社: Modernist Film / Cohen Media Group

口コミ

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キャスト

James Ivory
James Ivory
Self
ジェニー・ビーヴァン
ジェニー・ビーヴァン
Self
No Image
John Bright
Self
Vanessa Redgrave
Vanessa Redgrave
Self
Simon Callow
Simon Callow
Self
エマ・トンプソン
エマ・トンプソン
Self
ヒュー・グラント
ヒュー・グラント
Self
ヘレナ・ボナム=カーター
ヘレナ・ボナム=カーター
Self
サム・ウォーターストン
サム・ウォーターストン
Self
Greta Scacchi
Greta Scacchi
Self

TMDB ユーザーのレビュー

Brent Marchant
Brent Marchant
★ 7

In the annals of filmmaking, few cinematic collaborations can match the accomplishments of Merchant Ivory Productions, the brainchild of producer Ismail Merchant and director James Ivory, whose work together yielded a prolific 43 movies. While perhaps best known for such iconic period piece offerings as “A Room with a View” (1985), “Maurice” (1987), “Howards End” (1992) and “Remains of the Day” (1993), the duo was also responsible for many other releases primarily filmed in the US, the UK and India, often with the participation of a “family” of regular contributors, including screenwriter Ruth Prawer Jhabvala and composer Richard Robbins. Their work is now showcased in this insightful documentary from director Stephen Soucy, featuring contemporary and archive interview footage with this team of creatives, along with numerous film clips and the observations of various crew members and a stellar lineup of actors featured in their films, including Emma Thompson, Anthony Hopkins, Vanessa Redgrave, Hugh Grant, Helena Bonham Carter, James Wilby, Rupert Graves, Samuel West and James Fox. However, this offering goes beyond presenting a mere litany of accomplishments, providing an in-depth examination of the sensibilities that characterized this team’s output and the back stories of how these productions came into being (often on shoestring budgets and under rigorous, sometimes-contentious filming conditions). The film also looks at the personal lives of its two principals, who were romantically linked as one of the movie industry’s first gay power couples at a time when such relationships weren’t looked on with the same degree of tolerance that’s in place today. What’s more, much of this material is punctuated with a healthy sprinkling of wry wit, providing viewers with many laugh-out-loud moments, a quality not often seen in documentary releases. Fans of these tremendous talents are sure to enjoy everything that’s on offer here, while those unfamiliar with their work can savor an excellent introduction to one of the movie industry’s formidable creative teams, as well as an array of film classics well worth seeing. In an age where cinema has been experiencing its share of letdowns, it’s heartening to see a showcase for the repertoire of what truly great filmmakers are capable of, giving avid moviegoers hope that this is not a declining artform but one that can be revived, one would hope to match the accomplishments of those who contributed significantly to establishing its richly deserved legacy.

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